DIGITAL CAMERA

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Sony a7R IVA Mirrorless Camera
$2,350.00
Sony A7R Mark V Body Only
$2,650.00
Sony a9 II Mirrorless Camera
$2,750.00
Sony FX3 Full-Frame Cinema Camera
$2,550.00
Hasselblad H6D-100c Medium Format DSLR Camera (H6D-100c)

Bringing well-rounded shooting capabilities to the medium format realm, the Hasselblad H6D-100c revolves around an impressive 100MP 53.4 x 40mm CMOS sensor to produce high-resolution stills as well as UHD 4K video. Making use of the CMOS design, this sensor affords a wide sensitivity range of ISO 64-12800, along with 16-bit color depth and a dynamic range of up to 15 stops to maintain notable detail and quality when working in the most difficult of lighting conditions. Coupled with an enhanced electronic platform with faster processing capabilities, continuous shooting speeds up to 1.5 fps are possible, as well as the ability to shoot both UHD 4K and Full HD video at 30 fps in the Hasselblad RAW format. Now suitable for multimedia image-makers, the H6D maintains its exceptional stills recording capabilities and adds versatile video recording abilities to its skill-set.

Beyond imaging, the H6D also sports improved connectivity with the inclusion of a USB 3.0 Type-C connector for fast 5 Gbps transfer speeds and more fluid tethered shooting performance. The back itself incorporates a bright, clear 3.0" 920k-dot touchscreen LCD monitor for live view shooting and intuitive settings control, and a Mini HDMI port is available for working with larger external monitors. In-camera saving is possible via dual memory cards slots—one CFast slot and one SD slot—and files can also be saved remotely when shooting tethered over USB 3.0. Built-in Wi-Fi can also be used in conjunction with iOS devices running the Phocus Mobile app, which permits wireless remote control of the camera as well as the ability to preview imagery and browse files.

100MP CMOS Sensor
Revolving around a large 100MP CMOS sensor, measuring 53.4 x 40.0mm, the H6D-100c is capable of capturing an extremely wide dynamic range of up to 15 stops along with vivid 16-bit color depth. When combined with the Hasselblad Natural Color Solution, tonal transitions and skin tones show immense depth, detail, and clarity for lifelike image quality, even in dark shadow and bright highlight regions. To suit working in a variety of lighting conditions, a sensitivity range of ISO 64-12800 is available, and still files are saved in the Hasselblad 3FR raw file format.
Updated Electronic Platform
An improved electronic processing platform offers quicker performance throughout the camera system, along with more flexible connectivity options. A continuous shooting rate of up to 1.5 fps is available, along with an expanded buffer compared to previous H-series cameras for longer sustained shooting. This platform also expedites the handling of the large image sizes and permits recording both UHD and Full HD video.
UHD 4K and Full HD Video
In addition to high-resolution stills shooting, the H6D can also record both UHD 4K and Full HD 1080p video at 30 fps. Video can be saved in the proprietary Hasselblad RAW format, which can be converted to the edit-friendly Apple ProRes format using Phocus 3.0 software. Full HD video can also be saved in the H.264 compressed format for greater editing flexibility with a variety of software options.
System Design and Connectivity
  • Built-in 3.0" 920k-dot touchscreen LCD affords intuitive control over settings navigation and adjustment, and also permits bright, clear live view monitoring.
  • USB 3.0 Type-C connector offers transfer speeds of up to 5 Gbps for quick and responsive tethered live view and stills capture.
  • In addition to tethered shooting, dual memory card slots are incorporated into the back for flexible storage capabilities. One CFast card can be used for fast read/write speeds, which are necessary for continuous shooting or UHD 4K video recording, and one SD slot is provided for backup storage and wide compatibility with existing cards and card readers.
  • Benefitting video applications, as well as working with the back on technical view cameras, a Mini HDMI port permits use of an optional external monitor for clear monitoring. Additional, audio in/out ports are provided for more flexible control over audio recording during video.
  • Built-in Wi-Fi enables working with an iOS mobile device and the Phocus Mobile app for remote camera control, wireless image previews, and file browsing.
  • Compatible with the updated range of HC and HCD lenses, which feature an improved leaf shutter unit for increased shutter and flash sync speeds of up to 1/2000 sec.
  • Designed within a modular system, the H6D is comprised of the digital back, camera body, and an included HVD 90x viewfinder. Beyond the included components, additional optional viewfinders, film backs, and other accessories can also be used in conjunction with the digital back or the H6D body.
  • Phocus 3.0 is a free image processing software that complements the H6D's capabilities, and enables raw file processing for both stills and video, as well as a range of editing capabilities, including automatic moiré detection and the ability to work with adjustment layers for applying exposure, white balance, and color corrections.
Imaging
Lens MountHasselblad H
Sensor ResolutionEffective: 100 Megapixel (11,600 x 8700)
Sensor Type53.4 x 40 mm (Medium Format) CMOS
Image StabilizationNone
Mirror Lock-UpYes
Capture TypeStills & Video
Exposure Control
Shutter TypeLeaf Shutter
Shutter Speed1/2000 to 60 Minutes
ISO Sensitivity64 to 12,800
Metering Range2 to 21 EV (Spot)
1 to 21 EV (Center-Weighted Average)
1 to 21 EV (Center Spot)
Continuous ShootingUp to 1.5 fps
Still Image Capture
Image File FormatRaw
Bit Depth16-Bit
Internal Video Capture
Recording ModesH.264
UHD 4K (3840 x 2160) at 29.97p
Full HD (1920 x 1080) at 29.97p
Broadcast OutputNTSC
External Video Capture
External Recording ModesHDMI
Full HD (1920 x 1080)
IP StreamingNone
Interface
Media/Memory Card SlotSlot 1: CFast
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O1 x Mini-HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O1 x DC Input
Other I/O1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Output
1 x Hasselblad Cord H Input
1 x 2.5 mm Sub-Mini FlashSync Input
1 x 1/8" / 3.5 mm FlashSync Output
WirelessWi-Fi
Global Positioning (GPS, GLONASS, etc.)None
Monitor
Size3.0"
Resolution920,000 Dot
Display TypeFixed Touchscreen LCD
Secondary DisplayTop: Status Display
Viewfinder
TypeBuilt-In Electronic (LCD)
Coverage100%
MagnificationApprox. 2.7x
Diopter Adjustment-5 to +3.5
Focus
Focus TypeAuto and Manual Focus
Autofocus Sensitivity1 to +19 EV
Flash
Built-In FlashYes
Guide Number39.4' / 12 m
Maximum Sync SpeedNone
Flash Compensation-3 to +3 EV
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Environmental
Operating Temperature14 to 113°F / -10 to 45°C
General
Battery Type1 x 3200 Rechargeable Lithium-Ion Battery Grip, 7.2 VDC, 3200 mAh
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
1 x 3/8"-16 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount
Material of ConstructionSteel, Aluminum
Dimensions (W x H x D)6 x 5.2 x 4.8" / 153 x 131 x 122 mm (Without Protrusions)
Weight3.6 lb / 1633 g (With Battery, Recording Media)
Packaging Info
Package Weight8 lb
Box Dimensions (LxWxH)12 x 11.6 x 7.5"
$14,150.00
$14,990.00
Hasselblad 907X Anniversary Edition Medium Format Camera Kit

Celebrating 80 years of precision camera-making, the 907X Anniversary Edition Medium Format Camera Kit, from Hasselblad, is a comprehensive mirrorless medium format kit combining the unique 907X camera body, CFV II 50C digital back, wide-angle XCD 30mm f/3.5 lens, and the accessory control grip and optical viewfinder. This kit is part of a limited edition of 800 units and is distinguished by unique, customized anniversary kit details and engravings.

80th Anniversary Kit Details
  • The camera body has a black grain leatherette wrap, anodized lunar gray metal edges, and one side of the body features a commemorative plate that reads "Since 1941." This specific body was chosen for the anniversary kit due to its similarity in design to the legendary Hasselblad SWC camera.
  • The 30mm lens features distinct engravings on the lens body and focus ring and this particular ultra-wide lens was chosen due to its similarity to the original Biogon 38mm lens used with the original SWC camera.
  • The Control Grip features the same distinct black leatherette wrap and anodized metal finish as the camera body and the Optical Viewfinder has an etched "Hasselblad" logo with unique handwritten lettering.
907X Camera Body
Characterized by its impressively compact, lightweight design, the 907X is Hasselblad's smallest medium format camera body and serves as the inconspicuous interface between the V-system interface CFV II 50C digital back and the range of X-system mirrorless lenses. By providing an X-system lens mount, this opens up the opportunity to pair the CFV II with the autofocus and leaf shutter-enabled XCD lenses, as well as HC, HCD, V, XPan, and other third-party lenses via optional adapters. Use of the 907X also enables greater access to wide-angle lens options, compared to the V system, when using XCD lenses.
CFV II 50C Digital Back
50MP CMOS Sensor and Hasselblad Natural Color Solution
Revolving around a large 50MP CMOS sensor, measuring 43.8 x 32.9mm, the CFV II 50C is capable of capturing an extremely wide dynamic range of up to 14 stops along with vivid 16-bit color depth. When combined with the Hasselblad Natural Color Solution, tonal transitions and skin tones show immense depth, detail, and clarity for lifelike image quality, even in dark shadow and bright highlight regions. To suit working in a variety of lighting conditions, a sensitivity range of ISO 100-25600 is available, and still files are saved in the Hasselblad 3FR raw file format or as JPEGs.

Working with the spectacular image quality of the 50MP CMOS sensor, the Hasselblad Natural Color Solution is designed to deliver images with the most natural color without needing to delve into a variety of presets. This system is also capable of creating imagery with exceptionally smooth tonal transitions that are reminiscent of analog film capture, which is thanks in part to the CFV II's 16-bit color depth.
Back Design
  • Using a V-system interface, this digital back can be used in conjunction with the included 907X camera body, with virtually any Hasselblad V system film camera from 1957 or later, or with technical and view cameras featuring a V-system mounting interface.
  • Integrated 3.0" 920k-dot tilting LCD features a touchscreen design for intuitive control, menu navigation, and playback. The updated screen also has a fast 60 fps refresh rate for more fluid playback and the screen also supports autofocus point drag and drop placement and autofocus point size changes with pinch/spread finger movement. The screen's tilting design also reinforces a top-down viewing position, akin to working with an optical waist-level finder.
  • Accepts one rechargeable lithium-ion battery internally in order to maintain the overall svelte profile reminiscent of A12 and A16 film backs. This battery can be charged in-back, too, via the USB Type-C port.
  • Dual SD memory card slots both support the UHS-II protocol for faster read/write speeds.
  • Built-in Wi-Fi permits wireless sharing of files as well as remote camera control. Additionally, Phocus Mobile 2 allows for a rich tethered shooting experience from an iPad Pro or iPad Air (2019).
  • USB 3.0 Type-C connector can be used for file transfer, tethered shooting from an iPad, or for in-camera battery charging via a computer, charger, or power bank.
  • Integrated GPS module can be used for recording location details to image files for geotagging applications.
  • Optimized for use with XCD series of lenses, which offer an integrated central shutter system, capable of sync speeds up to 1/2000 sec.
  • Phocus Mobile 2, available for iPad Pro and iPad Air (2019), permits importing, editing, and rating of raw images as well as importing and rating full-resolution JPEG images directly on a tablet. Additionally, Phocus Mobile 2 supports full-resolution image export, tethered shooting, and direct camera control.
  • Conventional computer-based tethered shooting is supported via the desktop version of Phocus.
XCD 30mm f/3.5 Lens
Featuring a sleek design, the XCD 30mm f/3.5 is a wide-angle, 24mm equivalent prime well-suited to landscape, architectural, and reportage shooting applications. It also features a 1.3' minimum focusing distance along with an optical design meant to maintain image quality and sharpness throughout the focusing range for accurate depiction of close-up subjects. Like other XCD lenses, the 30mm f/3.5 has an integrated Central Lens Shutter that is capable of shutter speeds up to 1/2000 sec with flash sync at all speeds, and its internal autofocus design can be manually overridden for precise manual focusing control.
Accessories
907X Control Grip
The 907X Control Grip affords more intuitive handling and tactile control over the camera system. This dedicated grip features a shutter release button, permits quick adjustment over aperture and shutter speed via the control dial, and enables AF point selection via the integrated joystick. Additional buttons provide direct access to the CFV back's menu system and image review options, and all four buttons are customizable for personalizing the configuration to suit different workflow needs. The grip attaches to the back and body combination via a 1/4"-20 tripod mount and benefits working from eye-level or waist-level positions, and also functions as an ideal alternative to the back's touchscreen interface if working with gloves.
907X Optical Viewfinder
With a design reminiscent of the classic Hasselblad SWC finder, this simple body-mounted OVF attaches via the camera's accessory shoe and has a wide field of view with frame line markings for the XCD 21mm, 30mm, and 45mm lenses, along with a center cross to aid in alignment and accurate eye-level viewing.
Imaging
Lens MountHasselblad X
Sensor ResolutionEffective: 50 Megapixel (8272 x 6200)
Sensor Type43.8 x 32.9 mm (Medium Format) CMOS
Image StabilizationNone
Built-In ND FilterNone
Capture TypeStill Only
Exposure Control
Shutter TypeElectronic Shutter, Leaf Shutter
Shutter SpeedMechanical Shutter
1/2000 to 4080 Seconds
Electronic Shutter
1/10000 to 4080 Seconds
ISO Sensitivity100 to 25,600 in Auto Mode
Metering MethodCenter-Weighted Average, Spot
Exposure ModesAperture Priority, Manual
Continuous ShootingUp to 2.7 fps at 50 MP
Interval RecordingYes
Still Image Capture
Aspect Ratio4:3
Image File FormatJPEG, Raw, TIFF
Bit Depth16-Bit
External Video Capture
IP StreamingNone
Interface
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
Video I/ONone
Audio I/ONone
Power I/ONone
Other I/O1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output
WirelessWi-Fi
Global Positioning (GPS, GLONASS, etc.)None
Monitor
Size3.2"
Resolution2,400,000 Dot
Display TypeTilting Touchscreen LCD
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Single-Servo AF
Autofocus PointsContrast Detection: 117
Flash
Maximum Sync Speed1/2000 Second (Leaf Shutter)
External Flash ConnectionPC Terminal
Environmental
Operating Temperature14 to 113°F / -10 to 45°C
General
Battery Type1 x Rechargeable Lithium-Ion, 7.2 VDC, 3400 mAh
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Material of ConstructionAluminum
Dimensions (W x H x D)4.02 x 3.66 x 3.31" / 102 x 93 x 84 mm
Weight1.9 lb / 865 g (With Battery, Recording Media)
Kit Lens
Focal Length30mm
Maximum Aperturef/3.5
Minimum Aperturef/32
Angle of View71°
Area of Coverage42 x 32 mm
Maximum Magnification0.1x
Minimum Focus Distance1.3' / 40 cm
Optical Design11 Elements in 10 Groups
Focus TypeAutofocus
Image StabilizationNo
Filter Size77 mm (Front)
Leaf ShutterYes, up to 1/2000 Second Sync Speed
Dimensions (ø x L)3.3 x 3.5" / 83 x 88 mm
Weight1.3 lb / 581 g
Packaging Info
Package Weight7.22 lb
Box Dimensions (LxWxH)11.1 x 11.1 x 4.5"
$6,700.00
Panasonic Lumix S1H Mirrorless Camera with 70-200mm f/2.8 Lens Kit (S1H Mirrorless)

For event, sports, and portraiture photographers, the Panasonic Lumix S1H Mirrorless Camera with 70-200mm f/2.8 Lens Kit from B&H bundles the 24.2MP video-optimized body with the Lumix S PRO 70-200mm f/2.8 O.I.S. lens.

Panasonic Lumix S1H Mirrorless Camera

Full-frame mirrorless with a serious penchant for video, the Panasonic Lumix S1H is clearly distinguished by its impressive video capabilities, but also features notable flexibility to suit multimedia applications along with an especially durable design. The full-frame 24.2MP CMOS sensor affords versatile performance to suit both video and stills, with a broad 14-stop dynamic range, sensitivity from ISO 100-51200, and adept processing to realize high color accuracy, responsive recording, and a broad array of video capabilities. Using nearly the full sensor, 3:2-format 6K24p video recording is supported, along with 16:9 5.9K30p and both DCI and UHD 4K60p settings with internal 4:2:2 10-bit sampling or external raw recording capabilities with a compatible recorder. Inspired by broadcast cameras, the S1H also uses the updated sensor design to provide Dual Native ISO settings that prioritize either low noise or low sensitivity in order to realize imagery quality with greater color fidelity and reduced noise. Variable Frame Rate (VFR) recording also permits using slow and quick motion effects and High Frame Rate (HFR) settings allow the use of higher frame rates in conjunction with 10-bit sampling. Additionally, V-Log has been pre-installed, and a Hybrid Log Gamma is also available for achieving greater detail when recording, and to benefit color grading during post-production.

In terms of still photography, the S1H isn't lacking with an impressive 9 fps continuous shooting rate with AF-S, or 6 fps with AF-C. In the cases where 24MP isn't quite enough, a specialized High Resolution mode can be used to boost the effective resolution to 96MP by compositing sequential shots together. Also benefitting stills, as well as video, is a 225-area Depth from Defocus (DFD) contrast-detection autofocus system that achieves quick and precise focusing and subject tracking. Additionally, sensor-shift image stabilization helps to minimize the appearance of camera shake by 6 stops for sharper handheld shooting.

Beyond the imaging attributes, the S1H is also characterized by its body design, which incorporates an impressively high resolution 5.76m-dot OLED electronic viewfinder along with a 3.2" 2.33m-dot tilt free-angle touchscreen LCD. The magnesium alloy body is weather-sealed to permit working in harsh conditions and has a 1.8" top status LCD for reviewing shooting settings on the fly. Dual SD memory card slots offer flexible storage capabilities and Bluetooth and Wi-Fi connectivity afford remote camera control along with wireless image transferring to tablets and smartphones.

24.2MP Full-Frame CMOS Sensor and Venus Engine
Featuring a full-frame 24.2MP CMOS sensor, along with an updated Venus Engine, the S1H's imaging capabilities have been optimized for high sensitivity, a wide 14-stop dynamic range, and flexible recording modes. The sensor and processor incorporate Multipixel Luminance Generation and Intelligent Detail Processing technologies, which help to produce high resolution and definition by suppressing color moiré, and Color Control further enhances color reproduction, especially in the highlights and shadows. The Venus Engine's processing power also helps to suppress noise levels throughout the sensitivity range, from ISO 100-51200, and yield fast full-resolution continuous shooting speeds up to 9 fps with AF-S or 6 fps with AF-C, for more than 60 consecutive raw files.
Video Recording
  • Optimized for video applications, the S1H is distinguished by its ability to record 10-bit 6K (5952 x 3968) video at 24.00 in 3:2 format using nearly the full area of the full-frame sensor, along with 5.9K (5888 x 3312) video at 29.97p in 16:9. When recording DCI and UHD 4K video, up to 29.97p, internal 4:2:2 10-bit sampling is possible, and when working with a Super 35mm area of the sensor, frame rates up to 59.94p are available. Full HD and Anamorphic 4K recording settings are also supported at up to 119.88p and 48.00p, respectively.
  • Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.
  • Optimizing your recording for post-production color adjustment, the S1H features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V and Cinelike D, as well as an in-camera LUT to make monitoring easier.
  • With the Version 2.0 firmware update, raw output over HDMI in resolutions up to 5.9K at 29.97 fps or DCI 4K at 59.94 fps is possible when used in conjunction with a compatible Atomos recorder, such as the Ninja V.
  • Simultaneous internal recording and external recording via HDMI is possible: DCI/UHD 4K is possible at 59.94p with 4:2:2 10-bit output and 4:2:0 10-bit internal or DCI/UHD 4K is possible at 29.97p/23.98p with 4:2:2 10-bit output and internal recording.
  • Variable Frame Rate (VFR) adjustments can be used to produce slow and quick motion effects from 30x to -7.5x. High Frame Rate (HFR) shooting, in 4:2:0 10-bit, is also supported, with audio recording and autofocus, which enables shooting Full HD video at 180p and DCI/UHD 4K at 59.94p.
  • In-camera time lapse video creation is possible, allowing you to photograph scenes over time with an interval timer, then composite the stills into a 4K60p video with in-camera exposure smoothing.
  • Suitable for worldwide use, selectable system frequencies of 59.94 Hz, 50 Hz, or 24 Hz are available.
  • An SMPTE-compliant time code can be embedded for easier syncing of footage from multiple cameras.
  • Color bars and a 1 kHz test tone can be used as benchmarks for configuring camera settings.
Body Design
  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
  • An impressive Real View Finder is a high-resolution 5.76m-dot OLED EVF offering a clear 0.78x configurable viewing magnification along with a smooth 60 fps or 120 fps changeable refresh rate, 0.005 sec lag, and 10,000:1 contrast ratio.
  • Large 3.2" 2.33m-dot touchscreen LCD is a bright, clear, and intuitive means for live view shooting as well as playback and menu navigation. The screen features a unique tilt & free-angle design where it can tilt along the lens axis or can be flipped outward to the side and freely adjusted to suit working from more extreme high and low angles. Live View Boost is a dedicated viewing mode for working in low-light conditions, where the viewing sensitivity can be increased to aid in composing your image, and a Night Mode also benefits working in dark conditions by lowering the screen's backlight intensity and overlaying a red filter to better preserve night-adjusted vision.
  • In addition to the rear LCD, a top 1.8" 303 x 230-dot status LCD can also be used for quickly reviewing shooting settings, even when the camera is powered off. Additionally, an enhanced graphical user interface can be optimized for video applications and include exposure settings such as shutter angle or shutter speed and ISO or gain, depending on application.
  • Internal heat-dissipating fan helps prevent overheating and enables unlimited video recording times. The fan can be set to Auto 1, where the fan is initiated once a temperature rise is detected; Auto 2, where the fan is kept off for as long as possible to prioritize silence; Normal; and Slow.
  • Durable, weather-sealed magnesium alloy construction is splash, dust, and freezeproof to accommodate working in harsh weather conditions and trying environments.
  • Front and rear tally lamps can be used to visually indicate recording and standby settings for faster visual recognition by subjects and camera operators.
  • Ergonomic design provides a large, comfortable right-hand grip along with easily accessible physical controls, an eight-way joystick, and a refined overall UI design for intuitive use. Additionally, illuminated buttons aid settings adjustment in low-light conditions and a lock lever prevents unwanted settings changes.
  • Dual UHS-II-compatible SD memory card slots offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, 3.5mm microphone and headphone jacks suit advanced audio recording needs, and a PC sync port can be used for wired flash synchronization.
  • PC flash sync terminal doubles as a TC in/out socket and an included BNC conversion enables syncing time code settings with an external device for multi-camera setups.
  • Optional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection.
  • DMW-BLJ31 rechargeable lithium-ion battery is rated for approximately 400 shots per charge when working with the rear monitor, 380 shots per charge with the EVF, and 1150 shots per charge when Power Save LVF mode is on.
  • High precision shutter mechanism offers a top mechanical speed of 1/8000 sec, a flash sync speed of 1/320 sec, and has been tested for approximately 400,000 actuations.
5-Axis Sensor-Shift Image Stabilization
Helping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the S1's 6 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens's optical stabilization. Additionally, specific to video applications, Boost I.S. is digital image stabilization feature that aids in creating a stable composition when recording from a fixed perspective.
DFD Autofocus System
For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face/eye detection capabilities make it easier to photograph people and prioritize focusing as specifically as on a subject's pupil. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.
6K and 4K PHOTO
Utilizing the S1H's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.
Bluetooth and Wi-Fi
Bluetooth Low Energy (4.2) provides constant connection between your smartphone or tablet and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.
Other Camera Features
  • By using sensor-shift stabilization technology, the S1H features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
  • HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.
  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.
  • I.S. Status Scope helps to recognize the type of camera shake being caused by displaying an arrow in the viewfinder or on the rear LCD.
  • Flicker Decrease automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
  • Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.
  • Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.
  • Lumix Tether enables wired, tethered shooting capabilities via USB connection between the camera and a computer. Aside from offering a larger live view preview, this application also permits remotely triggering the shutter, use of 6K and 4K Photo modes, and video recording start/stop.
  • Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.
UPC: 885170364646
Panasonic Lumix S PRO 70-200mm f/2.8 O.I.S. Lens

Developed to be the workhorse for events, portraiture, and other mid-length subjects, the Panasonic Lumix S PRO 70-200mm f/2.8 O.I.S. is an L-mount telephoto zoom characterized by a bright f/2.8 constant maximum aperture and sophisticated optical and focusing performance. The optics layout incorporates several aspherical and low dispersion elements in order to minimize chromatic and spherical aberrations throughout the zoom range for higher clarity, sharpness, and accurate rendering. Complementing the optics is a unique double focus system, which utilizes both a linear motor and a stepping motor, to provide especially fast and precise focusing performance. A focus clutch also enables especially quick switching between AF and MF settings for fine-tuned control. Additionally, an Optical Image Stabilizer reduces the effects of camera shake for sharper handheld shooting and the lens sports a weather-sealed design for use in harsh conditions.

Telephoto zoom is designed for full-frame L-mount mirrorless cameras, however can also be used with APS-C models where it provides a 105-300mm equivalent focal length range.
Bright constant f/2.8 maximum aperture maintains consistent illumination throughout the zoom range and affords greater control over depth of field.
One aspherical element helps to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.
Two ultra extra-low dispersion elements and three extra-low dispersion elements greatly reduce chromatic aberrations and color fringing in order to produce a high degree of clarity and color accuracy.
A double focus system employs both a linear motor and a stepping motor to deliver impressively fast, precise, and quiet autofocus performance. A focus clutch mechanism has also been incorporated, which allows for near-instant AF/MF switching.
Focusing system has been designed to suppress focus breathing for greater versatility when used for video applications.
Optical Image Stabilizer minimizes the appearance of camera shake b for sharper handheld shooting, and also supports the Dual I.S. and Dual I.S. 2.0 functions for increased stabilization performance up to approximately seven stops.
Splash, dust, and freezeproof design benefits working in inclement weather conditions down to -14°F.
Rounded 11-blade diaphragm contributes to a pleasing bokeh quality.
Removable rotating tripod collar with Arca-type dovetail is included and benefits working with the lens atop a tripod or monopod.
Compatible with optional DMW-STC14 and DMW-STC20 teleconverters to further extend the reach of this lens.
$2,650.00
Leica Q2 Monochrom Digital Camera (Q2)

Merging two of their most unique series, the Leica Q2 Monochrom is a full-frame compact camera fitted with a 47.3MP monochrome sensor, which is used for the sole purpose of recording vivid and rich black-and-white imagery.

Compared to a standard CMOS sensor, this specialized monochrome sensor omits the color filter array to enable recording of just luminance values in order to achieve greater visual depth and clarity, along with improved sensitivity to ISO 100,000 and reduced noise levels to suit working in difficult lighting. The sensor's design also sees the omission of an optical low-pass filter, and inclusion of an updated microlens array, which helps to produce sharper, higher resolution imagery.

Beyond its Monochrom distinction, this version of the Q2 follows a familiar path of quick and robust performance and intuitive handling. The sensor pairs with a Maestro II image processor to offer fast shooting operation up to 10 fps, support for both DCI and UHD 4K video recording, and reliable autofocus performance. This camera also features the same beloved Summilux 28mm f/1.7 ASPH. wide-angle prime lens, which has been matched to the sensor design for exceptional resolution and clarity.

The Q2 Monochrom also retains the cherished sleek and compact design that makes it ideal for street and travel shooting, and this Monochrom version even sports a more inconspicuous matte black finish without the Leica red dot. Its magnesium alloy body is weather-sealed for working in trying environments and it uses the same battery featured in the flagship SL-series of mirrorless cameras for longer battery life. A high-resolution 3.68MP OLED electronic viewfinder is featured for fluid and clear eye-level monitoring and a rear 3.0" 1.04m-dot touchscreen LCD also affords straightforward playback and settings control. Built-in Bluetooth LE and Wi-Fi permit wireless sharing and remote camera control from a linked mobile device via the Leica FOTOS app.

Monochrom
Distinguishing itself from the standard Q2, the Q2 Monochrom is the first black-and-white-only model of this compact full-frame camera. Based on the standard edition, this distinct version features the coveted design elements of the Q2 system but adds a 47.3MP monochrome without a color filter array or low-pass filter, in order to record only black-and-white imagery with greater sharpness and detail. Beyond the unique imaging characteristics and image quality, the Q2 Monochrom also features a monochromatic exterior design, with white and gray engravings on the body and a clean top plate appearance.
47.3MP B&W Full-Frame CMOS Sensor and Maestro II Processor
Featuring a truly unique imaging system, the Q2 Monochrom incorporates a high-resolution 47.3MP full-frame CMOS sensor, which pairs with the Maestro II image processor to deliver a wide dynamic range with notable tonal rendering, as well as enhanced sensitivity to suit working in a variety of lighting conditions. The sensor's design features an updated microlens array and omits an optical low-pass filter in order to achieve greater sharpness, resolution, and clarity. Additionally, differentiating itself from typical sensor designs, the Q2 Monochrom sensor omits a color filter array (CFA), which offers the ability to solely record monochromatic imagery using only luminance values for enhanced clarity, depth, and resolution. By removing the CFA, this camera also achieves a higher sensitivity range of ISO 100-100,000 than the color-enabled Q2 camera, along with reduced noise to suit working in difficult lighting conditions and a broad 13-stop dynamic range.

The Maestro II's processing capabilities also afford fast shooting performance, up to 10 fps at full-resolution with a mechanical shutter, along with an especially quick autofocus system. Stills can be recorded as 14-bit DNG files and JPEGs. The added resolution also enables unique digital zoom capabilities to simulate working with different focal length lenses: 30MP images can be created using a 35mm field of view, 15MP images with a 50mm field of view, and 7MP with a 75mm field of view.

In addition to stills, and unique among Monochrom cameras, this Q2 supports both DCI 4K24p and UHD 4K30p video recording, along with high-speed Full HD recording at up to 120p.
Summilux 28mm f/1.7 ASPH. Lens
Key to the popularity of the Q-series is the incorporation of a fixed Summilux 28mm f/1.7 wide-angle prime lens. Blending Leica's optical know-how with a design perfectly matched to the image sensor, this lens incorporates three aspherical elements to control distortion and spherical aberrations for sharp and accurate rendering. Its fast f/1.7 maximum aperture also excels in low-light conditions and offers improved control over depth of field. Extending its versatility, a dedicated macro focusing position can also be used for working with subjects as close as 6.7" away. Additionally, optical image stabilization helps to compensate for the effects of camera shake for sharper handheld shooting.
Body Design
  • High-resolution 3.68MP (1280 x 960) OLED electronic viewfinder provides a clear and realistic means for eye-level viewing. Its high refresh rate virtually eliminates lag and an updated eye sensor provides faster automatic switching between the EVF and the rear LCD.
  • Rear 3.0" 1.04m-dot LCD features a touchscreen design for intuitive navigation and playback, as well as the ability to touch to focus.
  • Lightweight magnesium alloy body is dust and moisture sealed (IP52-rated) for use in harsh environmental conditions.
  • BP-SCL4 battery offers approximately 350 shots per charge and the battery's physical design incorporates a rubber gasket to further reinforce the overall weather sealing.
  • Enhanced haptics, following suit of the M10 and CL-series cameras, emphasize a simpler interface, including a single-stage On/Off button, a three-button rear control set, a programmable button within the thumb-wheel dial, a push-button diopter adjustment, and a distinctive thumb grip.
  • Mechanical shutter affords flash sync speeds up to 1/500 sec.
  • Lens features a 49mm filter thread diameter for attaching optional filters.
  • Accepts one SD-type memory card and supports the UHS II protocol.
  • Built-in Wi-Fi, when used in conjunction with the Leica FOTOS app for iOS and Android, permits sharing imagery directly to a linked mobile device and also enables remote control over the camera and remote shooting via a live view image. Additionally, Bluetooth LE helps to maintain a permanent connection between the mobile device and the camera, enabling remote waking of the camera and automatic connection anytime within range.
$2,750.00
Canon EOS R3 Mirrorless Camera (EOS R3)

Built for speed, versatility, and reliability, the Canon EOS R3 combines the technology from their mirrorless EOS R system with the robustness and performance you'd expect from a flagship DSLR. Revolving around a new full-frame stacked sensor, updated AF performance, and refined body design, the EOS R3 is first 3-Series camera since the film era and plants itself as a fast-shooting, flexible, and contemporary mirrorless camera.

Among the most significant technologies in the R3 is the 24.1MP stacked sensor which affords truly fast readout speeds to help reduce rolling shutter distortion and benefit fast continuous shooting and video recording applications. This full-frame BSI CMOS sensor is also benefitted by an updated DIGIC X processor, which helps boost the overall speed for up to 30 fps continuous shooting with an electronic shutter, 6K 60p raw and 4K 120p video recording, and intelligent Dual Pixel CMOS II autofocus with Eye Control AF for intuitive focus point selection.

The R3 is also the first EOS R-series camera to feature a built-in vertical grip, making it an ergonomic choice for long shooting times and for seamlessly switching between horizontal and vertical shooting orientations. The rugged body design also incorporates a high-resolution 5.76m-dot OLED EVF and a 3.2" vari-angle touchscreen LCD, along with dual memory card slots, wireless and wired connectivity, and an updated Multi-Function Shoe design for expanded accessory compatibility.

Full-Frame Stacked Sensor and DIGIC X Processor
24.1MP BSI Stacked CMOS Sensor
A first for EOS cameras, the R3 features a stacked sensor design that promotes impressively fast read-out speeds to greatly reduce rolling shutter distortion and enable faster shooting performance. This 24.1MP full-frame CMOS chip also has a back-illuminated design that is more efficient at gathering light, which leads to reduced noise, higher clarity, and smoother color rendering, particularly when working in low-light conditions.
DIGIC X Processor
An updated DIGIC X complements the new sensor design with capable processing and the ability to perform simultaneous high-speed tasks, such as 30 fps high-speed shooting while performing AF and AE readings before each frame. The processor also helps to realize a broad sensitivity range from ISO 100-102400, which is expandable to ISO 50-204800, for working in a broad variety of lighting conditions.
Electronic Shutter
A main benefit of the stacked sensor design is a highly usable electronic shutter function that is able to shoot continuously at up to 30 fps, for up to 150 raw frames, with virtually no rolling shutter distortion. When working in manual or shutter-priority modes, the top shutter speed is 1/64,000 sec and flash sync is even possible with an electronic shutter, up to 1/180 sec. This versatile shutter function is inherently silent, but can be paired with a choice of audible shutter noises to go along with each shutter click to make it easier for subjects to recognize when a photo has been taken.

A manual shutter is also available, and offers a top continuous shooting speed of 12 fps, with a buffer of more than 1000 frames, along with a top flash sync speed of 1/250 sec.
6K Raw and DCI/UHD 4K Video Recording
Also contributing to notable video performance, the 24MP full-frame sensor offers high-res 6K raw 12-bit internal recording and uncropped 4K 120p 10-bit recording with Canon Log 3. Both 6K and 5.6K recording areas can also be used for oversampled DCI and UHD 4K shooting with improved sharpness, reduced moiré, and lower noise. HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. All-I, IPB, and IPB Light compression options are available, along with the ability to use Dual Pixel CMOS AF II when shooting at up to 6K raw. Unlimited recording times are possible, too, and the R3 features both mic and headphone ports, as well as a micro-HDMI Type-D port for clean output to an external recorder.
Autofocus and Image Stabilization
Dual Pixel CMOS AF II
An improved Dual Pixel CMOS AF II system features 1053 automatic AF points, which cover the entire sensor area, for faster, more responsive, and more precise focusing performance. This upgraded phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize eyes, faces, heads (including helmets), animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit has also been improved to focus down to an impressive -7.5 EV for accurate focusing even in nighttime conditions.
Eye Control AF
New to EOS digital cameras, Canon is re-introducing Eye Control AF with the R3. This popular feature from the film era has now been refined and tuned to work in conjunction with Dual Pixel CMOS AF's intelligent focusing capabilities. Eye Control AF essentially allows shooters to use their eye to initiate where the focus point is simply by looking through the electronic viewfinder, and then the camera will take control using subject tracking and detection to keep the sighted subject in sharp focus.
Sensor-Shift Image Stabilizer
An In-Body Image Stabilizer (IBIS) corrects unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use.
Body Design
5.76m-Dot EVF and Vari-Angle Touchscreen LCD
An impressive 5.76m-dot OLED electronic viewfinder is featured for clear, high-resolution eye-level viewing. This 0.76x-magnification finder is benefitted by the stacked sensor design, too, and affords blackout free viewing when working with an electronic shutter and supports a 120-fps refresh rate for realistic motion portrayal. The large area of the viewfinder also permits displaying extensive shooting information, if desired, and the information display rotates with the camera for more natural viewing.

In addition to the EVF, a 3.2" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the impressive 4.15m-dot resolution allows for vivid playback and live view monitoring.
Professional-Grade Body Construction
Taking after flagship DSLR designs, the R3 sports a robust and ergonomic body design fit with an integrated vertical grip for improved comfort when working in either horizontal or vertical shooting orientations. The R3 features both the smart controller and multi-controller from previous EOS cameras, making for an intuitive handling experience, and it has a similar rear layout to the 1D X Mark III and R5 bodies. This larger body design also makes room for the high-capacity LP-E19 battery for extended shooting sessions and is built to the same weather-sealed specifications as the flagship EOS-1D X Mark III.
Dual Memory Card Slots
The EOS R3 has dual card memory card slots—one CFexpress Type B slot and one UHS-II SD slot—for file-saving flexibility. The CFexpress Type B slot should be prioritized for 6K video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
Connectivity
Extensive wired and wireless connectivity options are available, allowing for multiple methods of transferring photos, videos, and voice memo data. Physically, the camera features a 1000BASE-T Ethernet interface and RJ-45 port for a fast and secure hardwired connection. When transferring wirelessly, 5GHz Wi-Fi and Bluetooth is available for transferring and remote camera control. Users of select smartphones can also make use of their device's mobile data for sharing files directly from the camera over 5G networks when the device is connected to the R3 via USB.

There is also a built-in GPS module, which is compatible with GLONASS and QZSS, for in-camera location tagging to help streamline any geotagging and timestamp needs.
Next-Generation Multi-Function Shoe
An update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.
Firmware Version 1.1.1, Released Feb 2022
Firmware Version 1.1.1 is for cameras with firmware up to Version 1.0.1 If the camera's firmware is already Version 1.1.1, it is not necessary to update the firmware.
  • Adds the ability to use Smart phone link adapter AD-P1.
  • Adds the ability, when using EOS Utility or Browser Remote for remote shooting with two cards inserted, to set the recording method and select the card to be recorded to.
  • Adds the ability to cancel [Subject Tracking] by pressing the Quick Control and then buttons.
  • Adds Ukrainian as an option to the language of "Browser Remote".
    Improves operation stability during FTP transfer.
  • Fixes an issue that in rare instances, the camera may become inoperable when shooting in the Servo AF setting while operating the AF-ON button.
  • Fixes an issue in which the camera cannot be used as an access point if the camera is being used in a region that only support 2.4GHz bandwidth for Wi-Fi connections.
$2,550.00
Sony a7S III Mirrorless Camera (a7S III)
For Visual Trailblazers
Optimized video, optimized sensitivity, optimized speed, the Sony a7S III raises the bar for what a full-frame mirrorless camera is capable of. A revised 12.1MP Exmor R BSI CMOS sensor and updated BIONZ XR image processor offer faster performance, improved noise reduction, and a wider dynamic range, along with UHD 4K 120p video recording and internal 10-bit 4:2:2 sampling.
12.1MP Exmor RS BSI CMOS Sensor and BIONZ XR Processor
A redesigned 12.1MP full-frame CMOS sensor now features a back-illuminated Exmor RS design in order to achieve improved clarity and reduced noise along with the expectedly impressive sensitivity, from ISO 80-102400 with an extended ISO 40-409600 range. The updated sensor design also yields 2x faster readout speeds than previous generations and, when coupled with the revised BIONZ XR image processor, greatly reduces rolling shutter by 3x and up to 8x faster processing and overall camera handling. The sensor and processor combination also helps to achieve a wide dynamic range, of up to approximately 14 stops for stills and 15 stops for video, and 10 fps continuous shooting for up to 1000 uncompressed raw files for stills.
Video Recording
UHD 4K 120p Video, 10-Bit 4:2:2 Internal Recording
  • UHD 4K recording is possible with frame rates up to 120p, using full 1:1 pixel readout without binning. Internal 10-bit 4:2:2 sampling is also possible in all recording modes and, if recording externally via the full-size HDMI A port, 16-bit raw output is also possible for even greater tonal reproduction and post-production flexibility.
  • Two codecs have also been developed: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.
Recording Flexibility
  • The high-speed, 120 fps recording enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p or, if moving down to Full HD resolution, an effective 240p frame rate is also available for even greater motion control.
  • Suiting long-form recording, the a7S III does not have any recording time limits to allow for unlimited clip lengths. The camera's physical design also features an improved heat-dissipating structure to promote longer possible recording times, up to an approximate 60-minute recording time at 4K60p.
Advanced Color Control
  • S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
  • Affording extensive customizable color and gamma controls, the you can adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.
Autofocus and Image Stabilization
Fast Hybrid AF System
Covering 92% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -6 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Additionally, it is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits. Helping to fine-tune how the focusing system performs, seven-step AF transition speed and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
5-Axis SteadyShot INSIDE Image Stabilization
The a7S III incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.
Body Design and Connectivity
Tru-Finder EVF and Vari-Angle Touchscreen LCD
  • An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. This viewfinder has a dedicated 120 fps High Quality setting for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.
  • A first for a7-series cameras, a side-opening 3.0" 1.44m-dot vari-angle articulating screen benefits working from high and low angles as well as a front-facing position for vlogging or other self-recording needs. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.
  • Redesigned menu structure is more intuitive and complements having different workflows and settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.
Versatile and Durable Design
  • Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
  • Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
  • Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
  • Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 510 shots/80 minutes of recording per charge when using the viewfinder or 600 shots/95 minutes of recording per charge when using the rear LCD.
Ports and Connectivity
  • Full-size HDMI A port offers a more reliable connection when working with external recorders.
  • A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
  • Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
  • Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
  • Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control
  • USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.
$2,050.00
Sony A7R Mark III Body Only

Sony A7R Mark III (ILCE-A7RM3A)

The Sony A7R Mark III (ILCE-A7RM3A) is the latest in a series of cameras where speed, resolution and video capabilities all coexist, the versatile, high-performance A7R III camera characterized not only by resolution, but also by its multimedia versatility. Revolving around a full-frame 42.4MP Exmor R BSI CMOS sensor and an updated BIONZ X image processor, the a7R III delivers an impressive 10 fps continuous shooting rate along with improved autofocus performance for faster, more reliable subject tracking along with frame coverage. wide. This updated Fast Hybrid AF system uses a combination of 399 phase-detection points and 425 contrast-detection areas for faster focus acquisition in a variety of lighting conditions, while also maintaining focus on subjects more effectively. In addition to speed and AF, processing improvements also help achieve greater image clarity throughout the sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400. Video recording capabilities have also been enhanced for improved quality when shooting UHD 4K video with a full-width full-frame sensor, or when using Super35 area and 5K oversampling to minimize moiré and aliasing. Additionally, benefiting both stills and video operations, the a7R III retains 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective at minimizing the appearance of camera shake by up to 5.5 stops. which can further be expanded to ISO 50-102400. Video recording capabilities have also been enhanced for improved quality when shooting UHD 4K video with a full-width full-frame sensor, or when using Super35 area and 5K oversampling to minimize moiré and aliasing. Additionally, benefiting both stills and video operations, the a7R III retains 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective at minimizing the appearance of camera shake by up to 5.5 stops. which can further be expanded to ISO 50-102400. Video recording capabilities have also been enhanced for improved quality when shooting UHD 4K video with a full-width full-frame sensor, or when using Super35 area and 5K oversampling to minimize moiré and aliasing. Additionally, benefiting both stills and video operations, the a7R III retains 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective at minimizing the appearance of camera shake by up to 5.5 stops.

In addition to the imaging updates, the Sony A7R Mark III [ILCE-A7RM3A] also features a revised body design, which includes a 3.69m-dot Tru-Finder OLED electronic viewfinder for bright, clear, and realistic eye-level monitoring. A rear 3.0″ 1.44m-dot tilting touchscreen LCD is also available for intuitive control of settings and to better support working from high and low angles. For greater shooting flexibility, dual SD memory card slots, and the NP-FZ100's larger battery are also used to achieve up to approximately 530 shots per charge when using the viewfinder. Adapting to camera use in difficult conditions, the magnesium alloy chassis and extensive weather-sealing also make the a7R III dust and moisture resistant.

Selling Sony A7R Mark III Body Only Best Prices and Specifications

42.4 MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor

Featuring a back-illuminated design, the full-frame 42.4-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and increasing speed. This sensor structure works with a gapless on-chip lens design and anti-reflection coating, as well as eliminating the optical low-pass filter, to improve light gathering and improve detail. Additionally, copper wiring dramatically increases data transmission rates to create 42.4-megapixel high-resolution 14-bit stills with a native sensitivity range of ISO 100-32000, which can be further expanded to ISO 50-102400. Additionally, it enables internal UHD 4K video recording with wide dynamic range using the full width full-frame sensor.

The sensor and processor combination also provides fast continuous shootingt of up to 10 fps at full resolution, up to 76 consecutive frames, and with full-time AF/AE when working with a mechanical shutter or electronic shutter. When shooting in live view mode, a continuous shooting rate of up to 8 fps is also possible.

Additional Video Features

Support for HDR Content:

  • Providing extensive customizable color and gamma controls, the a7R III allows users to adjust gamma, black level, knee, color level and more. Additionally, users can use the same S-Log2 Gamma Curve found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal than a traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording in a wide color gamut and, in addition to S-Log2, S-Log3 is also available to produce an effective 14 stops. dynamic range with increased grading control in the shadow area to the mid-tones of the image.

Slow & Quick Motion:

  • Take more control over your video capture capabilities with the new frame rates available in S&Q mode. This will allow shooters to capture Full HD video at any one step between 1-120 fps. This setting will allow you to slow down the action as well as speed up slow-moving scenes. This setting is also NTSC/PAL switchable.

Enhanced Zebra Functions:

  • The enhanced Zebra function is ideal for helping monitor exposure values ​​in high-contrast scenes. The target video signal level can be set from 0 to 109, and a specific range can be set to make it easier to adjust the exposure level.

Time Code and User Bit Settings:

  • time code can be used to record hours, minutes, seconds, frames of image data for more precise editing while the User Bit function can record date, time, and scene number to help edit joint footage from multiple cameras.

Proxy Recording:

  • UHD 4K movies and lower-resolution proxy movies can be recorded simultaneously. Smaller proxy files are ideal for quick previewing or pre-editing which can reduce the time needed for final 4K editing.

Body Design and Built-In Wi-Fi/Bluetooth

  • Features an updated Quad-VGA OLED Tru-Finder EVF, and has a 3.69m-dot resolution for bright, clear displays in high detail. The Standard and High quality settings can be used, depending on the shooting situation, to optimize the viewing experience. This updated viewfinder design also allows the use of autofocus in Focus Magnifier mode as well as increased focusing peaking to benefit manual focus operation.
  • In addition to the EVF, a 3.0″ 1.44m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen can also be tilted up 107° and down 41° to work from high and low angles.
  • The magnesium alloy chassis guarantees rigidity, durability and stability while remaining lightweight. The lens mount has also been upgraded to better support heavy lenses and the grip stiffness has been increased for a more comfortable hand hold.
  • The durable shutter unit incorporates a coreless motor and brake system that reduces vibration for better control of shutter shock and extends its lifespan to approximately 500,000 actuations.

Pixel Shift Multi Shooting

This unique compositing mode allows you to achieve greater resolution than what the 42.4MP sensor can provide. Working in tandem with sensor-shift image stabilization, this mode shifts the sensor while making four consecutive exposures to acquire approximately 169.6MP of information for greater color accuracy and detail than is possible with a single exposure. These files can then be merged together during post-production using the rSony Imaging software suite.

Other Camera Features of the Sony A7R Mark III (ILCE-A7RM3A)

  • A Ratings function lets you assign star values, from 1-5, to images in-camera for faster editing and sorting at home during post-production.
  • An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
  • Highlight and Average metering modes help avoid blown-out highlights and provide stable auto-exposure, respectively.
  • Anti-flicker shooting automatically recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images.
  • Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta ), and Soft High-Keys.
  • Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).
$1,450.00
Sony a7R IVA Mirrorless Camera
A New World of Photographic Expression
Moving to an even higher resolution realm, the Sony a7R IVA continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance and versatility. This fourth edition of the a7R sees the inclusion of an updated 61MP sensor along with faster processing, improved AF performance, and a more well-rounded feature-set for both high-end photo and video applications.
Sensor and Processor
61MP Exmor R BSI CMOS Sensor
Featuring a back-illuminated design, the newly designed full-frame 61MP Exmor R CMOS sensor offers a mixture of incredible resolution with high clarity, low noise, and a wide 15-stop dynamic range. The sensor's structure promotes impressive image quality and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400.
BIONZX_LSI
BIONZ X Image Processor
The BIONZ X engine's high-speed image processing enables fast continuous shooting, 4K video recording, and advanced AF tracking. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.

In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, at full resolution, for up to 68 consecutive frames, with full-time AF/AE.
Pixel Shift Multi Shooting
This unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.
Fast Hybrid AF System
An updated Fast Hybrid AF system now employs a combination of 567 phase-detection points, which cover approximately 99.7% of the height and 74% of the width of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This focusing system also achieves especially quick speed and reliable tracking, as well as enhanced low-light focusing response down to -3 EV.

The apt focus system also lends itself to a variety of focusing functions for refined accuracy:
  • Lock-on AF maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject
  • Expand Flexible Spot employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus
  • Eye AF can be used to base focus on recognized human subjects' eyes for portraits and is available in both AF-S and AF-C modes and for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills.
  • The Focus Magnifier function can be used for critical focus when homing in on minute subject details
  • Rear touchscreen can be used for Touch Focus control and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder
Video Recording
UHD 4K Video Recording in XAVC S Format
  • Internal recording of UHD 4K video is possible in multiple frame rates up to 30 fps using the full width of the sensor with 8-bit 4:2:0 color sampling using the 100Mbps XAVC S codec.
  • Oversampled 4K recording is also possible, which uses a 6K capture area with a Super 35 crop for greater detail. This full pixel readout is void of pixel binning for higher quality imagery with reduced moiré and aliasing.
  • Full HD 1080p recording is also supported in frame rates up to 120 fps. The high-speed, 120 fps recording also enables 4x and 5x Slow& Quick Motion (S&Q) movie recording with the frame rate set to either 30p or 24p.
  • In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
  • 4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.
S-Log3 and HLG Color Control
  • HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.
  • S-Log3 is also available for producing a 14+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
Body Design and Connectivity
EVF_wire
Viewfinder and LCD Screen
  • Updated OLED Tru-Finder EVF has a 5.76m-dot resolution for bright, clear viewing in rich detail
  • Dedicated High quality setting enables a 120 fps refresh rate for especially smooth playback of moving subjects.
  • The 3.0" 2.36m-dot rear LCD has a touch panel design for intuitive operation and focusing control.
  • Screen tilts upward 107° and downward 41° to benefit working from high and low angles.
Sealing_front-Large
Professional Body Design
  • Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding.
  • Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
  • Using the same NP-FZ100 battery as its predecessor, the a7R IVA's battery life is rated for approximately 530 shots per charge with the EVF or 660 shots with the rear LCD.
  • Dual SD memory card slots allow for flexible file saving and handling and can be configured to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
Ports and Interface
  • USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
  • Updated Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
  • Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
  • HDMI micro (Type D) connector offers a clean signal out for working with optional external recorders.
  • Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
Wireless Connectivity
  • Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.
  • Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.
  • Bluetooth connectivity also allows for location data acquisition.
5axis_image_stabilization
5-Axis SteadyShot INSIDE Image Stabilization
Packed into the robust a7R IVA is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
Dedicated Accessories from Sony
Complementing the camera body is a trio of accessories to increase battery life and enhance audio recording capabilities when shooting video. The VG-C4EM Vertical Grip is the dedicated battery grip, which accepts up to two more NP-FZ100 batteries for extended shooting times. Its ergonomic design also enhances handling when shooting in the vertical orientation.

For improved audio recording, and making use of the a7R IVA's updated Multi Interface Shoe and digital audio interface, there is the ECM-B1M Shotgun Microphone, which delivers a digital audio stream directly to the camera for cleaner quality with low noise. For even more advanced audio control, there is also the XLR-K3M XLR Adapter Kit, which is a dual-channel digital XLR audio adapter for connecting external microphones to the camera while still benefitting from the digital audio interface.
Sony a7R IVA Mirrorless Camera
$2,350.00
Sony A7R Mark V Body Only
AI chip image

New development AI processing unit 

Advanced AI processing with deep learning uses detailed information about human shape and pose to dramatically improve subject recognition accuracy and take full advantage of the camera's potential resolution. AI subject recognition has been expanded to include several new subject types, including vehicles and insects.

Close-up shot of a woman's head and body

New level resolution

This latest generation of the α7R series continues to strive for high image resolution, achieving by far the highest resolution at low sensitivities in the series. Back-illuminated 35mm full-frame Exmor R™ CMOS image sensor with 61.0 millionthe latest pixels and BIONZ XR™ image processing engine are used to their full potential to produce outstanding resolution and fine subject details.

Illustration of 5-axis image stabilization integrated in the body

Advanced 5-axis optical image stabilization 

The entire image stabilization system has been updated with a high-precision image stabilization unit, an advanced gyroscope sensor and an optimized image stabilization algorithm. Camera shake is precisely detected and corrected by the image stabilization unit, significantly expanding the variety of shooting situations in which reliable stabilization can be achieved. The body alone provides 8 step stabilizationa first in the α series. [1] Yaw [2] Roll [3] Pitch

Image of mountains and sea

Pixel Shift Multi Shooting responds to changing conditions 

Pixel Shift Multi Shooting takes advantage of the control of a precision in-body image stabilization system, capturing up to 16 pixel-shifted images for composite processing on a computer for stunning resolution in a single image.. With the latest version of Imaging Edge Desktop™ software, small pixel-level movements are detected and corrected automatically.

Picture of the menu display for selecting the RAW file type

Choice of RAW image size and quality 

Lossless RAW image compression enables high quality image capture in continuous bursts, with a choice of three lossless compressed image sizes. The M and S sizes have the same number of pixels (26M/15M) for shooting in full-frame or APS-C mode, so that the angle-of-view switching between full frame and APS-C in the same scene can be seamless and the image resolution is the same stay awake. 

Image of the α7R V with the flash unit installed

Precise and versatile external flash control 

If the Sony external flash unitWhen compatible with the camera's auto white balance function, the white balance is adjusted to produce natural skin tones on the face based on the balance between flash output and ambient lighting. Flash control also works in tandem with face detection so that the flash level on the subject is optimal. 

An image of a woman standing in a building, and the woman is in the frame

Real-time Recognition AF for humans

With the innovative AI processing unit, the α7R V can use Real-time Recognition AF to accurately recognize people's movements, increasing about 60% in recognizing the human eyecompared to the α7R IV. Human pose estimation technology studies human shapes and poses to recognize not only the eyes, but also body and head positions with high precision so that they can lock on and track subjects who are not facing the camera or wearing a mask. 

Image of many small squares overlapping each other, indicating 693 AF points

A faster and more precise AF system 

The high processing capabilities of the new BIONZ XR engine and updated algorithms result in significant AF performance improvements, which take advantage of the abundant data generated by the image sensor and high-density wide-area AF system. Up to 693 phase detection points cover approx. 79% of the image area. The wider AF area also allows for more flexibility in framing, for example when shooting portraits in a vertical orientation. High-precision AF is achieved down to low-light levels of up to EV -4.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). 

Six images consisting of a horse, plane, bird, car, bicycle and butterfly

Real-time Recognition AF for a wider variety of subjects

In addition to people, animals and birds, the camera can now recognize insects, cars, trains and airplanes, making it even more flexible and reliable for stills and movie shooting. More and more bird species are recognized, and animal identification is expanded to include grass-eating animals and small animals other than dogs, cats and animals with similar characteristics, with a higher precision of up to 40%.  

Continuously shooting car images at 10 fps with AF/AE tracking

Continuous shooting 

Even with the α7R V's high resolution, up to 10 fps continuous shooting with full tracking AF/AE is possible with a mechanical shutter. This level of tracking speed and reliability makes it easy to capture the most photogenic moments and expressions even when the subject is moving. Up to 583 compressed RAW images can be shot continuously at 10 fps. 

Rabbit image in focus

Full-time DMF

When shooting stills with AF-C or AF-S autofocus, the lens focus ring can be rotated to switch to manual focus mode at any time. This makes it easy to return focus to the original subject if the AF switches to a different subject, for example by simply rotating the focus ring. 

Leaf macro image

Focus bracketing

The α7R V will take up to 299 pictures automatically with the focus point shifted successively using the interval and sequence you specify. After that, the best images can be selected from the sequence, or a computer application can combine the focus bracket images to create a focus-stacked composite with a deep synthesized depth of field that takes advantage of the camera's high resolution.

A scene shot from an 8K movie clip

Full-pixel readout of 8K movies in stunning resolution

The XAVC HS format enables high-resolution 8K 24p (25p) movie recordingin-camera with efficient HEVC/H.265 compression, bringing out the best in Sony lenses and taking full advantage of the resolution potential provided by the sensor and full-pixel readout. Even the finest subject details can be captured lifelike. The ability to reframe 8K footage in post-production for 4K delivery also provides invaluable flexibility in editing.

Image of a woman walking in the forest

Stunning 4K movie recording

Full-frame and Super 35mm formats selectable for 4K movie recording, as well as 4K 60p (50p) recording. Full pixel readout in Super 35mm mode without the need for pixel binning makes 2.6x oversampling possible for 4K movies. XAVC SI (All-Intra), or XAVC HS formats are supported, as well as 10 bit 4:2:2 color sampling.

Two-handed image of the α7R V

16 bit RAW output for more flexible editing 

Responding to the increasing demand for RAW recording capabilities, the α7R V provides 16-bit RAW output to external recordersvia HDMI cable. Full-frame 3848 x 2168 (16:9 aspect ratio) output available with a choice of frame rate levels. RAW output via HDMI is also possible while recording XAVC HS 4K, XAVC S 4K, or XAVC SI 4K to internal card media. Proxy recording is also available. 

Image of two women walking towards each other

Real-time tracking for movies 

Thanks to significant improvements in subject recognition, the camera can perform Real-time Tracking more reliably, which tracks a specific subject with precise focus, including focusing on the subject's eyes. Subject recognition is now possible in both movie recording and still photography for fast, stable focusing during capture. Even when subject recognition is turned off, touch operation allows subjects to be found and tracked by color, pattern (luminance), and distance (depth). 

Zoomed image of woman's face

S-Log3 gamma curve with latitude 14+ stops

The S-Log3 gamma curve emphasizes the characteristic gradation from shadows to medium gray (18% gray), reaching latitudes of up to 14+ stops. The color gamut is available in three settings: S-Gamut, S-Gamut3, and S-Gamut3.Cine. These advanced settings make it easy to match movies shot on the α7R V with movies shot on VENICE and VENICE 2 digital cameras or FX series cameras featuring S-Log3 gamma curve adjustments for smooth and efficient editing.

Image of a man holding a camera

Active Mode image stabilization for handheld movie shooting 

Active Modeprovides great image stabilization for handheld movie shooting. In addition to in-body stabilization, compatible lenses with built-in image stabilization coordinate with the camera body for highly effective control that even handheld telephoto shooting is possible.

Camera view image for Focus Map setting

Designed for smooth filming

Focus Mapmakes it easy to visualize depth of field when shooting movies. Also, a clearly visible and bold red frame appears on the screen while recording is in progress. Shot Marks can be added to recorded in-camera movie clips to identify specific scenes.

Images taken with multi-exposure show the range of motion of the LCD monitor

Unique 4-axis LCD monitor for increased shooting flexibility 

Sony's newly developed 4-axis multi-angle monitor combines the utility of conventional monitor tilting with the flexibility of side-opening vari-angle. This monitor is more flexible in shooting by giving angle adjustment space without restrictions in horizontal and vertical orientation

Image of the LCD monitor on the camera being touched by a finger

Touch operation during shooting or playback 

The Touch Focus, Touch Tracking, and Touch Shutter functions can be quickly enabled or disabled by touching an icon on the shooting screen. During playback, images can be selected by touch, and the pinch-out/pinch-in gesture can be used to enlarge or reduce the selected image. Touch sensitivity can be adjusted to optimize control response.

Image of a person operating a smartphone beside the camera while taking pictures

Fast Wi-Fi for PC tethering, FTP transfers, and smartphones 

 Embedded Wi-Fi (IEEE 802.11a/b/g/n/ac) enables communication in the 2.4 GHz and 5 GHz bands. 802.11ac provides 2x2 MIMO support for fast, stable data transfers and reliable communications. 

Image of a person operating a PC behind a camera mounted on a tripod

PC shooting Remote shooting via wireless LAN (Wi-Fi) 

The camera can be connected to a computer via Wi-Fi for wireless PC Remote capture (tethering) using the “Remote” function in Sony's latest Imaging Edge Desktop application, which gives users more freedom to move around the location or studio. 2.4 GHz or 5GHz Wi-Fi bandscan be selected as needed. In addition to direct connection of the camera to a PC wirelessly, the ability to connect via a wireless access point adds the flexibility needed to work in various network environments. 

Illustration showing a heat removal system

Effective heat dissipation makes recording last longer 

The heat generated by the image sensor, image processor and AI processing unit is effectively dissipated to prevent overheating. One element of this heat dissipation is a unique Σ (sigma) shaped graphite embedded in the image stabilization unit. This structure allows the image sensor, one of the main heat sources inside the camera body, to move freely during the stabilization process while transmitting heat effectively resulting in five times better heat dissipation.

Picture of the camera's magnesium alloy chassis

Durable magnesium alloy chassis, reliable mechanical shutter

Rugged and lightweight magnesium alloy is used for the top cover, front cover, internal housing, and back cover, with a durable construction that allows the camera to perform well in harsh working environments. The shutter unit with a quick response motor minimizes mechanical shutter vibration that can cause blur, but high-speed continuous shooting is still possible at speeds up to 10 fps. The shutter is reasonably quiet and has been tested for endurance exceeding 500 000 shutter cycles.

Camera viewfinder illustration

QXGA viewfinder with the highest resolution in its class 

The 9.44 million dot OLED electronic viewfinder delivers the highest resolution, with approximately 1.6 times the resolution of the previous UXGA Tru-Finder™ viewfinder. It also incorporates vastly improved optical and mechanical designs, achieving a world-record viewfinder magnification of 0.90x, and a 41° diagonal FOV (approximately 43° for the entire viewing area). 

Camera pictures with CFexpress card and SD card

Two media slots are compatible with CFexpress Type A

The α7R V has two media slots that support CFexpress Type A memory cards as well as UHS-I and UHS-II SDXC/SDHC cards, for high storage capacity and read/write speeds. The same data can be recorded simultaneously in both slots as backup, or users can choose to separate stills/movies or JPEG (HEIF)/RAW formats. A relay mode is also available, in which still images or movies are captured automatically to the second media card.

Two images of the left side of the camera.  One of the images is enlarged, both showing the USB PD terminal

USB PD (Power Delivery) supports fast charging

The α7R V supports USB PD (Power Delivery), which allows a higher power supply from external sources. USB chargers or mobile batteries that support USB PD can be connected to the camera's USB Type-C® port, which supplies power or charges the internal battery at three to four times the speed of previous models. 

Pictures of product packaging - boxes, packaging, etc.

Recycled material 

Sony strives to use non-plastic packaging materials with plant-based non-spun materials and recyclable materials. For the camera itself, SORPLAS™ materials consume resourceswhich are entirely recyclable, durable and of high quality. Recycled plastic is also used as much as possible, to reduce pressure on the environment without compromising performance or functionality in any way. 

Sony A7R Mark V Body Only
$2,650.00
Sony a9 II Mirrorless Camera
Next Level Speed
The second generation of speed, the Sony a9 II takes the impressive feature-set of its predecessor and adds enhanced connectivity, a refined body design, and even quicker performance. Utilizing the proven 24.2MP full-frame Exmor RS BSI stacked CMOS sensor and an updated BIONZ X processor, the a9 II sports especially quick and responsive shooting capabilities. And the updated construction now sports a more ergonomic shape, improved weather sealing, and better connectivity and transfer speeds.
Exmor RS BSI Stacked Sensor and BIONZ X Image Processor
24.2MP Full-Frame Stacked CMOS Sensor
Built for speed, the a9 II utilizes a 24.2MP Exmor RS BSI stacked CMOS sensor, along with an updated BIONZ X image processor, that yields impressively quick and responsive performance. Up to 20 fps continuous shooting is possible using an electronic shutter or 10 fps shooting is supported with a mechanical shutter. The sensor's back-illuminated design also affords high sensitivity to an extended ISO 204800 with reduced noise for clean image quality in a variety of lighting conditions. Additionally, uncompressed raw files can be recorded in 14-bit for greater color fidelity and post-production flexibility.
BIONZ X Processing and Electronic Shutter
The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with a wide dynamic range with smooth tonal rendering. Benefitting the fast recording capabilities is an equally quick AF/AE metering system that functions at 60 times per second to continuously evaluate the scene in order to lock onto and track moving subjects. Automatic anti-flicker shooting also recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images. Additionally, due to the use of an electronic shutter, totally blackout-free monitoring is possible with the electronic viewfinder for more accurate compositions of moving subjects.
Autofocus and Image Stabilization
Fast Hybrid AF System
Covering 93% of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -3 EV. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. Updated AF algorithms also benefit maintaining critical focus on erratically or unpredictably moving subjects.
  • Lock-on AF maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject
  • Expand Flexible Spot employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus
  • Focus frame color is selectable, between white and red, and AF tracking is possible with apertures narrower than f/16 with select lenses when working in Focus Priority mode
  • Eye AF can be used to base focus on recognized human subjects' eyes for portraits and is available in both AF-S and AF-C modes, for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills
  • Focus Magnifier function can be used for critical focus when homing in on minute subject details
  • Rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder
  • When working in AF-C mode, the focus point can be moved while the shutter button is half-pressed, making it easier to quickly shift focus without losing sight of the action
5-Axis SteadyShot INSIDE Image Stabilization
The a9 II incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
UHD 4K Video Recording in XAVC S Format
Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
Refined Body Design
  • A Quad-VGA OLED Tru-Finder EVF is featured and has a 3.69m-dot resolution and 0.78x-magnification for bright, clear viewing in rich detail, and a dedicated High Quality setting enables a 120 fps refresh rate for especially smooth playback of moving subjects. Additionally, a fluorine coating has been applied to the outermost viewfinder element to benefit cleaning.
  • In addition to the EVF, a 3.0" 1.44m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward and downward to benefit working from high and low angles.
  • Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
  • Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
  • Using the same NP-FZ100 battery as its predecessor, the a9 II's battery life is rated for approximately 500 shots per charge with the EVF or 690 shots with the rear LCD.
  • Durable shutter design has been tested for 500,000 actuations.
  • Compatible with optional VG-C4EM Vertical Grip.
  • Dual SD memory card slots allow for flexible file saving and handling and can be configured to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
  • USB 3.2 Gen 1 Type-C port is featured, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
  • Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
  • Updated Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
  • Both 3.5mm microphone and headphone ports are featured for improved quality and control over audio when recording videos.
Connectivity
  • Built-in Wi-Fi enables the a9 II to instantly share imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
  • Bluetooth connectivity allows for location data acquisition.
  • Integrated Ethernet port has been upgraded to 1000BASE-T speed for quick wired LAN sharing and remote operation.
  • When working over a wired LAN, the Remote Camera Tool 2.1 app now has been enhanced for a reduced release time lag and live view delays as well as support for remote SD card formatting, FTP server switching, and changes to the still image storage destination. Wired or wireless LAN transfers can also occur in the background, while continuing to shoot.
  • Imaging Edge Remote for desktop now supports the a9 II for PC Remote shooting via the Wi-Fi connection or tethered by the wired USB Type-C port. An updated data transfer control now makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.
  • Transfer & Tagging add-on app can send FTP setting parameters from your mobile device to the camera, offers automatic data upload to an FTP server with attached metadata, and can perform automatic voice-to-text conversion.
  • Voice Memos can be recorded in conjunction with still images and allow for attaching up to 60-second-long sound recordings to individual images. Saved as WAV audio files, these memos can be attached to files and played when the images are reviewed. Using the Transfer & Tagging add-on on a smartphone, you can automatically or manually convert this audio into text to be embedded in the image's metadata.
  • Save/load camera settings is possible in-camera as well as to an SD card for working with the same shooting settings with multiple camera bodies.
  • Customizable Fn button can be set to handle separate tasks depending on if working in stills or video modes.
  • Up to 10 distinct FTP settings can be saved and stored to an SD card, or up to 20 different settings can be saved via the Imaging Edge Mobile app.
Sony a9 II Mirrorless Camera
$2,750.00
Sony FX3 Full-Frame Cinema Camera (Sony FX3 Full-Frame Cinema Camera)
With a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a "cage-free" design offering the ability to secure various accessories directly to the camera body.
Firmware Update v.2.0
With firmware update 2.0, Sony aligns the FX3 more closely with its Cinema Line workflow. Updates include advanced log shooting choices, including Cine EI options, the ability to import user LUTs, timecode syncing via an optional cable, and an easier-to-operate camera interface.

When updating from v.1.01 or earlier:

  • Note your chosen settings before updating since the process will initialize the camera and will be unable to read saved settings from v.1.01
  • S-Log2 will no longer be included; you must use S-Log3
  • Connecting to the Imaging Edge Mobile app has been made easier (see Smartphone Registration in the Help Guide); this requires updating the Mobile app to v. 7.7 or later and registering the camera as new.
  • Note that the NFC one-touch connection function will no longer be available
Expressive UHD 4K Video Capture
Cinematic Expression_RC
The FX3's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.
4K Full-Frame CMOS Exmor R Sensor
Stunning Bokeh_RC
A 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.
S-Cinetone Color
Beautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3's default S-Cinetone color setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and color matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.
Video Recording
Capture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.

  • Cooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60
  • Dual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording
  • Super35 1080p capture at rates up to 240p
Steady Focus
Solo Shooting_RC
  • Now even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms plus a simple touchscreen focus function.
  • Seven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.
  • Fast Hybrid AF uses 627 points to cover approximately 89% of the image frame
Ergonomic Form for Solo Operation
Essential Controls_RC
The FX3's cage-free design enables you to mount ¼"-20 compatible accessories directly on the camera or on the detachable handle, saving you the weight and setup/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.
Easily Viewable Tally Lights
Expandability_RC
Top, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording, enabling accurately timed movements and dialogue delivery.
Quality Audio Options
Pro audio recording options include:

  • A detachable XLR adapter handle with two XLR-1/4" TRS combo audio inputs
  • A mic holder and a 3.5mm input for adding a microphone
  • Up to 4-channel, 24-bit audio recording
Remote Control, Streaming, and Transfers
Remote Control_RC
Control your FX3 remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB Type-C connector to let your editor get a jump on post-production. You can also stream your content using your computer and the Imaging Edge Webcam app.
Post-Production Stabilization with E-Mount Lenses
  • Sony's Catalyst Prepare/Browse software uses shake metadata to stabilize your image
  • An adjustable balance between shake compensation and image area trimming lets you fine-tune the image
Improved FX3 Features
LCD Touch Panel_RC
The FX3 updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.
Common FX3/FX6/a7S III Features
Like the FX6 and the a7S III, the FX3 features:

  • Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor
  • High-speed rates of 120p in 4K and 240p in HD
  • A dynamic range of 15+ stops
Shared FX3/FX6 Attributes
Attributes that the FX3 has in common with the larger FX6 camera include:

  • S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options
  • Tally lamps on the front, side, and rear
  • An internal fan to prevent overheating
  • A zoom lever for easy frame adjustments
Shared FX3/a7S III Attributes
Mobility_RC
Attributes that the FX3 shares with the a7S III include:

  • 5-axis in-body image stabilization
  • 16-bit raw output via HDMI
  • S-Log2 gamma choice
  • 80 to 409,6000 ISO range (expanded)
Wireless Connectivity
  • Dual-band 2.4/5 GHz wireless connectivity
  • Wired LAN link using the USB Type-C port and a separate adapter
Sony FX3 Full-Frame Cinema Camera
$2,550.00
FUJIFILM X-H2S Mirrorless Camera with MKX18-55mm & MKX50-135mm Lenses Kit
FUJIFILM X-H2S Mirrorless Camera
X-H2S: The New FUJIFILM Hybrid
Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor, refined AF and subject detection, and impressive 6.2K video recording. Topping the X System, this camera mixes the intuitiveness, design, and image quality FUJIFILM is known for with a fresh, speedy approach to video and continuous shooting applications.
Stacked Sensor and 64-Bit Processing
X-Trans 5 Stacked BSI Sensor
The first X Series camera to feature a stacked sensor, the X-H2S sports an APS-C-format 26.1MP X-Trans 5 stacked BSI sensor, which ups the readout speeds and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the stacked design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo photo applications.
X-Processor 5
Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at up to 6.2K with high bitrates like ProRes 422 HQ or at high speeds, like with 240 fps recording at Full HD.

On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 40 fps is possible, with a buffer of 140 consecutive uncompressed raw frame. With the mechanical shutter, shooting speeds up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.

Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables a broad sensitivity range from ISO 160-12800.

Powerful Video Capabilities
4K 120p and 6.2K 30p Internal Recording
With a penchant for video, the X-H2S has a well-rounded recording system that places this camera squarely in the 'hybrid' category and performs equally well for video as it does for video. Internal 4:2:2 10-bit recording is possible in both DCI/UHD 4K at up to 120p and Full HD at up to 240p as well as an open-gate 3:2 6.2K setting that's suitable for anamorphic applications. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 90 minutes are possible at all frame rates and resolutions.
External Raw Recording
Using the full-size HDMI port, raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 6.2K.
Improved Autofocus and Image Stabilization
Hybrid AF with Deep Learning AI
Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types. Compared to previous focusing systems, the X-H2S's Face and Eye Detection capabilities have been refined for greater accuracy and to account for unique features, like glasses, face coverings, and hairlines. Also, the range of recognized subjects types has been expanded to include cars, planes, trains, motorcyclists, birds, horses, dogs, cats and more.
In-Body Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Body Design
Practical and Durable Design
  • Large OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.
  • Rear 3.0" LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.
  • 1.28" monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.
  • Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
  • NP-W235 battery provides approximately 720 frames per charge when working with the EVF in Economy Mode, or approximately 580 frames in Normal Mode.
Connectivity
  • Full-size HDMI Type A port for outputting video to an external recorder or monitor.
  • USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging.
  • 3.5mm headphone and external microphone ports for greater control over audio recording.
  • PC sync port for flash sync.
  • 2.5mm remote port for using wired remote controllers.
  • Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.
Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.
FUJIFILM MKX18-55mm T2.9 Lens (Fuji X-Mount)

The Fujinon MKX18-55mm T2.9 Lens in X-Mount is a lightweight cine-style zoom lens for X-mount cameras with a Super 35mm-sized sensor. The electrical contacts within the lens mounts allows communication with X-series cameras. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room for precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.

The lens is color matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step-up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for cameras with a Fuji X-mount, so it has a short flange focal distance, but the lens allows for flange focal distance adjustment so you can fine-tune it to the camera you are using the lens on.

The electical contacts within the lens mount enables communication with X-series cameras, which allows for correction of distortion and color/brightness shading to prevent vignetting. This communication also enables you to achieve a variety of color expressions when using Film Simulation modes.
T2.9 to T22 aperture with 9 iris blades for attractive bokeh
The 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio
Industry standard 0.8 film pitch gears for focus, zoom, and iris control
The gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MKX series, making switching between the two zooms quick as you don't have to adjust the position of lens accessories
Both lenses in the MKX series have the same weight and length so there is no need to rebalance your camera when you change from one lens to the other
200° focus barrel rotation
No shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism
Macro focus function available
UPC: 074101037197
FUJIFILM MKX50-135mm T2.9 Lens (Fuji X-Mount)

The Fujinon MKX50-135mm T2.9 Lens in X-Mount is a lightweight cine-style zoom lens for X-mount cameras with a Super 35mm-sized sensor. The electrical contacts within the lens mounts allows communication with X-series cameras. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine-style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.

The lens is color matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth intercutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step-up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for cameras with a Fuji X-mount, so it has a short flange focal distance, but the lens allows flange focal distance adjustment so you can fine-tune it to the camera you are using the lens on.

The electical contacts within the lens mount enables communication with X-series cameras, which allows for correction of distortion and color/brightness shading to prevent vignetting. This communication also enables you to achieve a variety of color expressions when using Film Simulation modes.
T2.9 to T22 aperture with 9 iris blades for attractive bokeh
The 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio
Industry standard 0.8 film pitch gears for focus, zoom, and iris control
The gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MKX series, making switching between the two zooms quick as you don't have to adjust the position of lens accessories
Both lenses in the MKX series have the same weight and length so there is no need to rebalance your camera when you change from one lens to the other
200° focus barrel rotation
No shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism
Macro focus function available
$4,250.00
Leica S (Typ 007) Medium Format DSLR Camera (Typ 007)

Offering performance and flexibility unique to the medium format world, the Leica S (Typ 007) is a medium format DSLR offering high-resolution still and video recording capabilities. Revolving around a 37.5MP 30 x 45mm CMOS sensor and Maestro II image processor, this camera is notable in its ability to produce image quality with remarkable sharpness, clarity, and dynamic range. The omission of an optical low-pass filter from the sensor's design further enables enhanced detail and resolution, that pairs well with the optimized Leica S lenses. Furthermore, on-sensor microlenses work to produce consistent and even light distribution to ensure edge-to-edge sharpness and illumination for a high degree of overall clarity. Beyond advanced still image recording, the S is also capable of producing 4K video files, as well as full HD, with a variety of options for audio and video recording. Utilizing the large sensor to the fullest extent, the S (Typ 007) is a versatile imaging device designed to deliver the utmost quality to both photographers and videographers.

Combining the sensor and processing prowess of the camera, a top sensitivity of ISO 12500 is afforded as well as the ability to record up to 32 consecutive DNG files at a rate of 3.5 fps. A predictive autofocus system, using a central cross-type phase detection point, helps to maintain critical focus in a variety of lighting conditions. Additionally, if working in live view, focus peaking serves as a useful alternative for ensuring image sharpness with manual focus techniques.

Complementing the advanced imaging capabilities of the Leica S is an equally refined body design, which takes on a minimalist structure with focus on the most essential shooting controls. A large, 3.0", 921.6k-dot, LCD monitor serves as a clear means for image review and menu navigation while the large 0.87x-magnification, pentaprism viewfinder acts as a bright tool for image composition. A weather-sealed, magnesium alloy, body construction protects the system from dust and moisture, including the series of interface ports and lens mount. Additionally, built-in Wi-Fi connectivity enables remote camera control and wireless transferring of files to mobile devices, and a GPS module enables the recording of location information to the EXIF data of image files.

Leica Pro Format CMOS Sensor
A large 37.5MP 45 x 30mm CMOS sensor enables truly high-resolution imaging with a sensitivity range from ISO 100-12500 and a dynamic range of approximately 15 stops. The large size of the sensor helps to produce notable image sharpness and clarity with smooth tonal and color gradations. Additionally, the design of the sensor enables the omission of a traditional optical low-pass filter for achieving even greater image sharpness and resolution. On-chip microlenses have also been incorporated into the sensor's design to ensure even light distribution and sharpness from edge-to-edge.
Fast and Efficient Performance
A highly efficient Maestro II image processor and 2GB buffer complements the image sensor's capabilities and facilitates recording up to 32 consecutive 37.5MP DNG lossless compressed files at a continuous shooting rate of 3.5 fps. When shooting in the JPEG format, the total number of consecutive images recorded is only limited by the memory card's capacity. Additionally, the focal plane shutter's design has also been enhanced and tested to provide at least 150,000 cycles. In regard to focus, a predictive autofocus mode benefits tracking moving subjects through the use of a single cross-type phase-detection sensor.
4K and Full HD Movie Recording
In addition to apt still shooting capabilities, the S (Typ 007) also avails the ability to record 4K video (4096 x 2160) within a Super 35-sized area of the sensor, or full HD 1080p video using the entire sensor area. In full HD, frame rates up to 30p are available and a frame rate of 24 fps can be used during 4K recording. Additionally, both recording modes allow manual control of exposure and audio settings. Timecode can be utilized to benefit multiple camera setups and can be recorded internally or externally via an Audio-Adapter S. Additionally, benefitting focus and exposure precision, focus peaking and a histogram with exposure clipping display can be viewed during recording.

Using the HDMI Type C interface, uncompressed video can also be recorded to an optional external recorder with 4:2:2 color sampling.

Benefitting the recording capabilities, a 3.5mm audio jack is incorporated into the camera's design and can be used in combination with the optional Audio-Adapter S.
Camera Design
Housing the imaging system is a robust, dust and weather-sealed magnesium alloy body featuring an anti-slip rubberized cover for both durability and refined handling. A rear, 3.0", 921.6k-dot, LCD monitor is available for live view monitoring and image review, and is covered with Corning Gorilla Glass for added protection and greater viewing clarity. Alternatively, an eye-level, pentaprism viewfinder is also available and features a 0.87x magnification and can accept optional interchangeable focusing screens to suit your personal shooting needs. A dual-axis spirit level can also be viewed from within the finder for assuredly level horizons and plumb verticals.

The rear of the camera is also laid out in an intuitive manner for expedited settings control using a joystick-based control method. Both a flash sync port and hot shoe are available for external flash support and a contact bar at the base of the camera is designed to accept an optional Multifunctional Hand Grip S for enhanced handling in the vertical shooting orientation.
Connectivity and Interface Design
Built-in Wi-Fi connectivity enables the use of mobile devices for remote camera control and wireless image transferring via the dedicated app. Additionally, a GPS module is also incorporated into the body's design to permit in-camera geotagging of files for plotting to an interactive map.

Benefitting in-camera recording of imagery, dual memory card slots accept one SD-type memory card and one CompactFlash-type memory card to permit overflow recording or in-camera partitioning of file types. Beyond the HDMI Type C port for recording to external recorders, a USB 3.0 terminal is also available to permit fast image transferring to a computer or for tethered shooting applications.
Language Support
English, French, German, Spanish, Italian, Japanese, Chinese (traditional and simple), Russian, Korean, and Portuguese.
$6,250.00
Leica S3 Medium Format DSLR Camera

Pairing the tradition of a DSLR with contemporary multimedia capabilities, the Leica S3 is a medium format camera characterized by its flexible feature-set and integration within a well-developed system. Featuring a redeveloped 64MP 30 x 45mm CMOS sensor, the S3 offers high-resolution stills shooting along with a 15-stop dynamic range and a wide sensitivity range from ISO 100-50000 to suit working in a variety of conditions. The sensor's design also omits an optical low-pass filter in order to realize a high degree of sharpness and clarity. In addition to stills, the sensor also enables DCI 4K and Full HD video recording using the entire width of the sensor for a distinct "medium format look." Additionally, benefitting stills is a phase-detection autofocus system that employs a single cross-type central point for fast and accurate focusing performance.

Complementing the imaging capabilities, the S3 maintains the familiar design traits of previous S System cameras, including a large 0.87x-magnification optical pentaprism viewfinder with a high eyepoint for comfortable viewing. Alternatively, a rear 3.0" 921k-dot LCD is available for live view shooting and image review, and a top status LCD can be used to quickly review shooting settings. Another retained distinction is support for the unique dual shutter system, which permits working with either the camera's focal plane shutter or with select lens's Central Shutters for flash sync up to 1/1000 sec. Additionally, the S3 incorporates Wi-Fi connectivity for use in conjunction with the Leica FOTOS app for remote camera control and wireless image sharing between the camera and a linked mobile device.

64MP Leica ProFormat Sensor and Video Recording
Characterized by its higher resolution, the S3 sports a 64MP 30 x 45mm CMOS sensor to achieve a high degree of clarity, sensitivity, and a wide dynamic range rated for up to 15 stops. This "Leica ProFormat" sensor also omits an optical low-pass filter from its design in order to achieve the greatest sharpness possible. Beyond resolution, the updated design also enables a wide sensitivity range from ISO 100-50000 and supports continuous shooting up to 3 fps. In regard to focusing, a predictive phase-detection autofocus system is quick, quiet, and benefits tracking moving subjects through the use of a single central cross-type point.

Beyond stills shooting, the updated sensor also enables impressive video capabilities, and supports DCI 4K recording at 24 fps and Full HD up to 30 fps, with both formats able to make use of the full width of the sensor. An external microphone can be used via the 3.5mm port and external recording at Full HD is supported via HDMI Type-C with 4:2:2 8-bit color sampling.
Body Design
  • Optical pentaprism viewfinder features a high eye-point and 0.87x magnification for comfortable, bright, and fluid viewing. An illuminated LCD bar is incorporated into the finder's design to provide shooting information and optional exchangeable focusing screens are available to suit various shooting styles.
  • Rear 3.0" 921k-dot LCD monitor is available for live view monitoring and image review and is covered with Corning Gorilla Glass for added protection and greater viewing clarity.
  • Top monochrome status LCD can be used for quickly reviewing shooting settings.
  • Dual shutter system is compatible with both the in-camera focal plane shutter, for exposures between 1/4000 sec and 2 min with flash sync at 1/125 sec, or with select Central Shutter/leaf shutter-type lenses, which offer flash sync speeds up to 1/1000 sec.
  • Rugged body design utilizes a magnesium alloy shell with non-slip rubber armoring, a magnesium alloy top plate, aluminum alloy base plate, and stainless steel control elements and lens mount bayonet.
  • Dust- and splash-proof sealing enables working in inclement weather conditions.
  • Dual card slot design accommodates one SD/SDHC/SDXC card and one CompactFlash card for file-saving flexibility.
Connectivity and Tethering
  • Built-in Wi-Fi, when used in conjunction with the Leica FOTOS app for iOS and Android, permits sharing imagery directly to a linked mobile device and also enables remote control over the S3 and remote shooting via a live view image.
  • Tethering is supported via the Lemo USB 3.0 port for an efficient studio-based workflow.
  • Integrated GPS module can be used for geotagging shots as well as acquiring automatic date and time settings.
$6,250.00
FUJIFILM GFX 100 Medium Format Mirrorless Camera

Distinguished by its extremely high resolution, but also sporting a versatile feature-set, the FUJIFILM GFX 100 is a medium format mirrorless camera designed for a true multimedia workflow. Excelling with still photography applications, the 102MP 43.8 x 32.9mm BSI CMOS sensor achieves impressive image quality with high sensitivity to a native ISO 12800. Making use of the X-Processor 4, the GFX 100 is capable of outputting 16-bit raw imagery with a broad dynamic range and low noise levels. Additionally, the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. Also, making use of the full width of the sensor, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording to an Atomos Ninja V, and an F-log gamma setting can also be used for more advanced color grading during post-production. Additionally, the sensor's design also incorporates an expansive 3.76m-point phase-detection autofocus system for quick, precise AF performance and subject tracking for both stills and video.

Complementing the sensor design, the GFX 100 is also the first mirrorless medium format body to incorporate sensor-shift image stabilization. This stabilization system compensates for up to 5.5 stops of camera shake across five axes in order to reduce the appearance of camera shake. Also unique, this camera features a built-in vertical grip for improved ergonomics and handling regardless of shooting in horizontal or vertical orientation. This grip also allows for two batteries to be used at a time, for longer shooting sessions. Also unique, a removable 5.76m-dot OLED electronic viewfinder can be used for high-resolution eye-level viewing, and can be paired with an optional tilt adapter to permit working with the finder from various working angles. Alternatively, the rear 3.2" 2.36m-dot touchscreen LCD features a three-way tilting design that supports working from high and low angles, even when shooting in the vertical orientation. Operability is further reinforced through the use of customizable dials for adjusting exposure settings, and both top and rear sub LCD screens are also featured for quickly checking settings and exposure data.

102MP BSI CMOS Sensor and X-Processor 4
Utilizing a large and exceedingly high 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 4, the GFX 100 is capable of delivering 16-bit stills with wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.
UHD and DCI 4K Video Recording
Utilizing the large sensor size for more than just stills, the GFX 100 also offers an enticing array of video capabilities, including internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, as well as 4K30p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s-and simultaneous external and internal recording is possible. If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.

Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.

In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.

The camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.
Sensor-Shift Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 5.5 stops. This system works in conjunction with any lens, including non-stabilized ones, and benefits working with slower shutter speeds and when working in difficult lighting conditions.
Body Design
  • Magnesium alloy body construction is both lightweight and durable, and the camera system is sealed in 95 places to render it weather- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
  • Based on a modular concept, a removable 5.76m-dot OLED electronic viewfinder is included for high-resolution, 0.85x-magnification eye-level viewing with a refresh rate of 85 fps. This viewfinder can be paired with an optional EVF-TL1 Tilt Adapter for positioning the finder at a variety of working angles.
  • The removable EVF connects with the camera body via the hot shoe, and the EVF features its own hot shoe to maintain compatibility with optional external flashes.
  • A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique tilting design that moves both 45° downward and 90° upward for shooting from high and low angles, and also tilts 60° to the side to benefit shooting in the vertical orientation when in live view.
  • Integrated vertical grip offers a more ergonomic and secure design for holding the camera in either the horizontal or vertical shooting orientation. This design also affords more room for incorporating two sets of physical controls, shutter releases, and permits working with two batteries.
  • Two NP-T125 rechargeable lithium-ion batteries are used to provide extended shooting times, and, when combined, are rated to approximately 800 shots per charge.
  • Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
  • The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
  • Mechanical focal plane shutter has a performance rating of approximately 150,000 shutter actuations. This shutter also uses a shock absorption mechanism to prevent unwanted shake caused by the physical movement of the shutter during an exposure.
  • Both a 1.8" sub LCD monitor on the top plate and a 2.05" sub OLED monitor on the rear of the camera are also featured and are used to quickly view shooting settings and exposure data.
  • Integrated Bluetooth 4.2 low energy and Wi-Fi allows you to wirelessly share images to a mobile device or use the device to remotely control the camera.
3.76m-Point Autofocus System
The sensor's design also includes an expanded phase-detection autofocus system, which has an impressive 3,760,000 points that cover nearly the entire sensor area. This AF system delivers faster, more accurate focusing performance along with low-light sensitivity down to EV -3. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, and delivers fast focus response for subject tracking and also supports Face- and Eye-Detection AF when working in AF-C mode and when recording video.
Other Camera Features
  • Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
  • Firmware V4.00 adds new functionality, including improved autofocus performance, coordinated control of in-body and optical image stabilization mechanisms, and a new film simulation, "Nostalgic Neg".Firmware V3.00 adds a Pixel-Shift Multi-Shot mode capable of producing massive, 400MP images by combining 16 raw images using FUJIFILM's Pixel Shift Combiner software, which can then be output as a DNG file for further processing using most popular editing software.
  • Interval shooting is possible for up to 999 consecutive frames with a 1-sec to 24-hour delay between exposures, as well as up to a 24-hour shutter delay.
  • Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
  • A variety of file formats are available depending on your workflow needs and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.
  • A voice memo function lets you solely record your voice for up to 30 seconds at a time for making notes or keeping track of shooting information.
  • 3D Electronic Level can be used to ensure the accuracy of horizontal and vertical lines within your composition.
Firmware Updates
Ver. 4.20: The maximum number of frames that can be stored in a single folder will be changed from 9,999 to 999 with Ver.4.20 or later.
$3,550.00
Leica SL2 Mirrorless Camera with 24-70mm f/2.8 Lens

Bundling an advanced camera body with a versatile zoom lens, the SL2 Mirrorless Camera with 24-70mm f/2.8 Lens from Leica pairs the full-frame SL2 camera body with the fast Vario-Elmarit-SL 24-70mm f/2.8 ASPH. lens.

Leica SL2 Mirrorless Camera

Pairing sophistication with flexible imaging capabilities, the Leica SL2 is the second-generation SL camera mixing apt photo and video specifications with a refined design. Featuring a 47.3MP full-frame CMOS sensor and Maestro III image processor, fast and fluent performance enables up to 20 fps continuous shooting, 6 fps shooting with AF-C, 5K video at 30 fps, and DCI 4K60 video with 10-bit color sampling. The sensor's design also incorporates a Leica Object Detection AF system, which uses 225 selectable AF areas for fast and accurate performance. Also complementing photo and video applications, a 5-axis sensor-shift image stabilization system minimizes the appearance of camera shake for sharper handheld shooting.

Beyond updated imaging, the SL2 also features an updated body design that includes a new 5.76m-dot EyeRes OLED EVF and a large 3.2" 2.1m-dot touchscreen LCD. A top status LCD is also featured for quick recognition of shooting settings and dual UHS-II-compatible SD memory card slots offer file-saving flexibility. Additionally, built-in Wi-Fi and Bluetooth work in conjunction with the Leica FOTOs app for wireless file transferring and remote camera control.

47.3MP Full-Frame CMOS Sensor and Maestro III Processor
Featuring a full-frame 47.3MP CMOS sensor and Maestro III image processor, the SL2's imaging capabilities have been optimized for high-resolution recording along with notable sensitivity, a wide 14-stop dynamic range, and flexible recording modes. The sensor's design omits a low-pass filter in order to maintain the highest degree of sharpness and resolution. When paired with the Maestro processor, noise levels are further suppressed throughout the sensitivity range, from ISO 50-50000, and processing capabilities further yield fast full-resolution continuous shooting speeds up to 20 fps with an electronic shutter, 10 fps with a mechanical shutter, and 6 fps with a mechanical shutter and AF-C, for up to 78 consecutive DNG files.
5K and 4K Video Recording
Beyond stills shooting, the SL2 is a capable video camera featuring up to 5K (4992 x 3744) recording with 10-bit color, as well as DCI, UHD 4K, and Full HD settings. Also, high-speed recording modes for UHD 4K60, with 30 fps playback, and Full HD 180 fps, with 30 fps playback, offer 2x and 6x slower motion, respectively.

Complementing the video quality, a dedicated Hybrid Log Gamma (HLG) Photo Style mode and L-Log gamma profile can be used to expand highlight and shadow details and offer greater flexibility when color grading. Additionally, recording to an optional external recorder is possible, via the HDMI Type A port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.
Body Design
  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
  • An impressive EyeRes EVF is a high-resolution 5.76m-dot OLED finder offering a clear 0.78x configurable viewing magnification along with a smooth 120 fps refresh rate, 0.005 sec lag, and 10,000:1 contrast ratio.
  • Large 3.2" 2.1m-dot touchscreen LCD is a bright, clear means for live view shooting as well as playback and menu navigation. This screen also uses Gorilla Glass for a highly durable design.
  • In addition to the rear LCD, a 1.28" top status LCD can also be used for quickly reviewing shooting settings, even when the camera is powered off.
  • Durable, weather-sealed magnesium-alloy construction is splash, dust, and freezeproof to accommodate working in harsh weather conditions and trying environments.
  • Dual UHS-II-compatible SD memory card slots offer flexible image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type A port benefits video applications, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.
  • BP-SCL4 rechargeable lithium-ion battery is rated for approximately 370 shots per charge when working with the rear monitor.
  • Built-in Wi-Fi, when used in conjunction with the Leica FOTOS app for iOS and Android, permits sharing imagery directly to a linked mobile device and also enables remote control over the Q2 and remote shooting via a live view image. Additionally, Bluetooth LE helps to maintain a permanent connection between the mobile device and the camera, enabling remote waking of the camera and automatic connection anytime within range.
Sensor-Shift Image Stabilization
Helping to achieve the utmost sharpness when photographing handheld, 5-axis sensor-shift image stabilization compensates for a broad range of movement types to render sharper, clearer imagery.

Using sensor-shift stabilization technology, the SL2 also features a Multishot mode to capture and compile eight separate exposure to create a single 187MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 16736 x 11168-pixel resolution.
Object Detection Autofocus System
For accelerated autofocus performance, a Leica Object Detection AF system quickly calculates the distance to subjects and adjusts the focusing position with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications through the use of a Body Detection mode. It also features 225 selectable AF areas, which provide excellent control over where the camera will focus.
Leica Vario-Elmarit-SL 24-70mm f/2.8 ASPH. Lens

Spanning a popular and versatile range of focal lengths, the Vario-Elmarit-SL 24-70mm f/2.8 ASPH. Lens from Leica is designed for full-frame L-mount mirrorless cameras. Ranging from wide-angle to portrait length, this lens provides excellent sharpness across all f-stops and focus distances, and three aspherical elements greatly reduce chromatic aberrations and distortions for notable image sharpness and clarity. The lens's f/2.8 maximum aperture benefits working in a variety of lighting conditions while offering precise control over focus position for working with shallow depth of field techniques, and a quiet and precise autofocus motor benefits both stills and video capture. Well-suited for nearly any photographic application, the lens offers lighter weight thanks to the omission of OIS, and this compact workhorse is constructed with a metal body and weather-sealing for durability and protection in harsh environments and inclement weather conditions.

  • Wide-angle to short-telephoto 24-70mm L-mount zoom designed for full-frame mirrorless cameras
  • Fast internal focusing with a single, lightweight lens element
  • Consistent f/2.8 maximum aperture through full zoom range for working in difficult lighting conditions
  • Excellent sharpness across all f-stops and focus distances with creamy bokeh
  • Three aspherical elements reduce chromatic and spherical aberrations for increased image sharpness and clarity
  • Compact dimensions and lighter weight thanks to omission of OIS
  • Weather-sealed design protects against dust and moisture
$3,450.00
Leica M11 Rangefinder Camera
M11: The Contemporary Classic
Perfectly meshing timeless design with contemporary performance, the Leica M11 is a rangefinder camera featuring a revised sensor design and updated connectivity and while maintaining the familiar design of a Leica M camera.
60MP Full-Frame BSI CMOS Sensor
Featuring a new higher-resolution design, the M11's 60MP full-frame CMOS sensor also features a back-illuminated (BSI) design that offers improved noise performance and faster readout speeds. The higher resolution suits more detail-oriented applications, like landscape and architectural subjects, and the noise-reduction benefits of the BSI design improves clarity and color accuracy when working in low-light conditions with higher ISOs.

The sensor's physical design also includes an updated ultra-thin dual-layer filter glass, which absorbs UV and IR wavelengths for greater clarity and more accurate rendering from the M lenses.

Triple Resolution Technology
Besides the 60MP resolution and BSI design, another first for M cameras is Triple Resolution Technology. This unique pixel binning process allows photographers to select 60MP, 36MP, or 18MP output, with each resolution making use of the full sensor area and providing rich 14-bit color. By pixel binning, rather than cropping, the lower resolutions have improved dynamic range and noise levels:
  • 60MP: 14 stops of dynamic range, highest resolution
  • 36MP: 15 stops of dynamic range, best balance of resolution and noise
  • 18MP: 15 stops of dynamic range, lowest noise levels
Maestro III Image Processor
The new Maestro III processor contributes to the faster processing and Triple Resolution Technology of the M11, as well as helps achieve a wider sensitivity range than in past M cameras. An ISO 64-50000 range is now available for greater detail, quality, and natural color rendering at lower ISO settings. The Maestro III also enables continuous shooting at up to 4.5 fps and facilitates fast file saving for an intuitive shooting experience.
Imaging Improvements
The M11 is still a photo-only camera that prioritizes manual operation, but a variety of improvements and functional updates have been made to make the M11 the most contemporary M camera yet:
  • An electronic shutter function now permits shooting at shutter speeds up to 1/16,000 sec, which is perfect for working with faster f/0.95 lenses without the need for ND filters. A mechanical shutter still offers shutter speed support up to 1/4000 sec and flash sync at 1/180 sec.
  • Two digital zoom steps can simulate working with longer focal length lenses by cropping into the image slightly, at 1.3x (39MP) and 1.8x (18MP) levels. These are reversible crops when recording a DNG or permanent crops if shooting straight to JPG.
  • Multi-field exposure metering is available in addition to spot and center-weighted average, which helps reduce the need to meter and then re-compose before shooting.
  • Long Exposure Noise Reduction helps to reduce the appearance of noise but can also be disabled for faster saving times.
Traditional Rangefinder Design
The M11 features a timeless design inspired by the original M camera, the M3, from 1954. This classic and recognizable form prioritizes intuitive handling and shooting along with a sleek and minimalist appearance.
Optical Viewfinder and Rear LCD
  • The optical viewfinder is a large and bright 0.73x-magnification rangefinder with automatic parallax compensation and bright-line frame lines, which are set to match the image sensor size at a focusing distance of 6.6'.
  • On the front of the camera, a viewfinder frame selector can be used to manually change the apparent image field to help visualize the scene with varying focal lengths; options are available in 35mm/135mm, 28mm/90mm, and 50mm/75mm focal length pairs.
  • Rear 2.95" 2.3m-dot touchscreen LCD features an updated design that is brighter for for improved visibility in sunny conditions.
  • Revised menu layout matches the Q and SL systems for more intuitive navigation and faster settings changes right from the first menu page.
  • Live view stabilization helps reduce the appearance of camera shake on the rear LCD or optional Visoflex 2; this electronic stabilization makes it easier to manually focus longer focal length lenses with greater accuracy.
Updated Body Design and Handling
Despite the M11's similarity to past M cameras, it features a variety of notable changes to its body design:
  • This silver-chrome finish version of the M11 features a traditional brass top plate. This design weighs about 20% more than the black version, which features an aluminum top plate, and weighs 1.4 lb with the battery installed.
  • First M camera to not feature a removable baseplate; instead, the M11 borrows a design from the Q and SL systems and uses a new BP-SCL7 battery that is inserted directly into the base of the camera body.
  • BP-SCL7 lithium-ion battery has 64% more capacity than the previous generation's battery and is CIPA-rated for 700 shots per charge. However, if working with the optical viewfinder only, approximately 1700 shots per charge is possible.
  • Revised design also incorporates a single UHS-II SD memory card slot within the battery compartment.
  • Built-in 64GB memory means you can forgo using a memory card altogether, or use the internal memory in conjunction with an SD card to simulate having dual card slots for splitting file types or for overflow storage. Image files can also be transferred from the internal memory to the SD card for easy backup.
  • USB type-C port on the base permits in-camera battery charging and file transferring.
Wired and Wireless Connectivity
  • The USB type-C port can be used in conjunction with the included FOTOS Cable, which allows direct attachment to an Apple iPhone via the Leica FOTOS app for easy file management and sharing.
  • Wi-Fi and Bluetooth can also be used for wireless connecting the camera to an iOS device using the FOTOS app.
  • In-app geotagging is possible along with the ability to select favorites and apply ratings to images via your mobile device.
$3,450.00
Leica M10-R Rangefinder Camera

Putting the 'R' in resolution, the Leica M10-R is a digital rangefinder camera with a high-resolution take on the traditional, stills-only design of the acclaimed M10-series. Revolving around an impressive 40MP full-frame CMOS sensor and Maestro II image processor, the M10-R is distinguished by its image quality, dynamic range, and sensitivity, with an ISO 100-50000 range and low noise. Complementing the applications suited to a higher resolution design, the M10-R also features an extended shutter speed range for making long exposures up to 16 minutes-long for nighttime and low-light shooting. The increased resolution and redesigned sensor structure also highlight the unique optical qualities of Leica's extensive lens lineup.

Beyond the updated sensor, the M10-R takes on a familiar form with a slim body profile that is reminiscent of M film cameras, and a large 0.73x-magnification optical viewfinder for notable composition and focusing accuracy. The body design also incorporates a dedicated ISO dial for quick adjustment, even when the camera is turned off, and the rear 3.0" 1.04m-dot touchscreen LCD features a Gorilla Glass cover to guard against scratching and light impacts. Also contributing to durability, the top and bottom plates are constructed from brass and the chassis is built from magnesium alloy to realize a robust physical construction for long-lasting use. Additionally, the M10-R also sports an integrated Wi-Fi module for wireless sharing and remote camera control from a linked mobile device.

M10-R for Resolution
Revolving around a unique 40MP full-frame CMOS sensor, the M-10R distinguishes itself within the M10 family of cameras by its high resolution and longer exposure capabilities. Beyond traditional Leica applications of street and reportage shooting, these capabilities lend themselves to landscape and nature shooters, as well, and also enable photographers to make full use of the exceptional Leica lens lineup. Aside from the revised sensor design, the M10-R retains its slim form factor, ultra quiet operation, and svelte design, which includes a characteristic red dot on the front of the camera, a plain top plate, and an elegant silver chrome finish.
40MP Full-Frame CMOS Sensor and Maestro II Processor
A redeveloped full-frame color 40.89MP CMOS sensor pairs with the Maestro II image processor to deliver an impressively wide dynamic range with notable color saturation and contrast, as well as enhanced sensitivity from ISO 100-50000 to suit working in a variety of lighting conditions. The sensor's design also omits an optical low-pass filter in order to achieve greater sharpness and resolution.
Optical Viewfinder and Rangefinder
The optical viewfinder is a large, bright-line 0.73x-magnification rangefinder with automatic parallax compensation and bright-line frame lines, which are set to match the image sensor size at a focusing distance of 6.6'. On the front of the camera, a viewfinder frame selector can also be used to manually change the apparent image field to help visualize the scene with varying focal lengths; options are available in 35mm/135mm, 28mm/90mm, and 50mm/75mm focal length pairs.

The rangefinder mechanism displays split or superimposed bright field images within the center of the viewfinder to benefit accurate manual focusing control. The effective rangefinder metering basis is 50.6mm (mechanical metering basis 69.31mm x viewfinder magnification of 0.73x).
Body Design and Built-In Wi-Fi
  • Slim body profile is reminiscent of Leica's film cameras for easier handling and manipulation
  • Integrated ISO dial is featured on the top plate to permit simple and direct adjustment of sensitivity values, even when the camera is turned off.
  • The rear of the camera features just three buttons—live view, playback, and menu—for more simplified and intuitive navigation of the camera's control-set.
  • A programmable Favorites menu can be used, which allows you to define your most oft-used settings and select them for easy, one-touch access.
  • 3.0" 1.04m-dot touchscreen LCD provides an intuitive, bright, and large means for image playback as well as live view shooting.
  • Rear LCD monitor has a Corning Gorilla Glass cover to protect it against scratching and impacts.
  • Top and bottom plates are machined from solid blocks of brass and the chassis is built from magnesium alloy for a truly durable, hard-wearing physical construction.
  • Rubber seals are used to prevent the entrance of light rain and dust to enable working in inclement conditions.
  • Built-in Wi-Fi permits sharing imagery directly to a linked smartphone and also enables remote control over the camera to adjust select shooting parameters or to release the shutter via the Leica FOTOS app.
Other Camera Features
  • Near-silent mechanical shutter for inconspicuous shooting.
  • Integrated 2GB buffer to for recording 4.5 fps bursts of up to 10 consecutive frames.
  • Images can be recorded in either the 14-bit DNG or 8-bit JPEG file format.
  • A top hot shoe permits working with an external flash and the top sync speed is 1/180 sec.
  • When working in live view, focus peaking is available to highlight edges of contrast for easier, more precise manual focus adjustment.
  • Designed to accept all M-mount lenses, Leica R-mount lenses are also compatible through the use of an optional R to M adapter.
  • Compatible with the optional Visoflex accessory electronic viewfinder for manually focusing adapted lenses.
  • Compatible with the optional Visoflex 2 viewfinder with firmware update version 30.22.11.52.
  • Language support: German, English, French, Spanish, Italian, Portuguese, Japanese, Traditional Chinese, Simplified Chinese, Russian, and Korean.
$3,150.00
Hasselblad X2D 100C Medium Format Mirrorless Camera
100MP BSI CMOS Sensor
Engineered with a large 100MP BSI CMOS sensor, the X2D 100C features an extremely wide dynamic range of up to 15 stops along with vivid 16-bit color depth. The camera's 16-bit color depth can deliver up to 281 trillion colors, 64 times higher than 14-bit. When combined with the Hasselblad Natural Color Solution system, tonal transitions and skin tones show immense depth, detail, and clarity for lifelike image quality. This color management system also creates imagery with exquisite color and detail for exceptionally smooth tonal transitions reminiscent of analog film capture.
Shown in Use
Fast and Accurate Phase Detection Autofocus
Designed with a newly developed phase detection autofocus (PDAF) system, the X2D 100C utilizes 294 PDAF zones to provide fast and accurate focusing at the press of a button. Additionally, an updated electronic platform enables a quick 3.4 fps continuous shooting rate to capture fleeting moments in fast-paced environments.
Sample Photo
5-Axis 7-Stop In-Body Image Stabilization
Featuring 5-axis 7-stop in-body image stabilization (IBIS), the X2D 100C compensates for five different types of camera shake encountered during handheld shooting of stills. This precise and efficient system significantly reduces motion blur at slower shutter speeds and enables you to confidently capture handheld 100MP images in real-life scenarios.
Sample Photo
Built-In Storage
Equipped with a built-in 1TB SSD with a write speed up to 2370 MB/s, the X2D 100C can store approximately 4600 raw photos or 13,800 JPEG photos. Although ample storage is built-in, additional space can be utilized via the camera's CFexpress Type B card slot. Thanks to its high-speed storage performance, the X2D 100C is able to continuously shoot 16-bit raw images in Continuous Drive Mode, providing a stable and reliable continuous shooting experience.
Upgraded Displays and Viewfinder
  • Upgraded 3.6" 2.36m-dot touch-and-tilt rear display provides a genuine and accurate full-view preview. The display also supports 40° and 70° tilting angles for convenient composition, making low-angle shots easier to compose without the need to bend down.
  • Designed with a full-color top display, the X2D 100C clearly and intuitively shows camera parameters. The top display also works seamlessly with the tilt-and-touch rear display for low-angle shooting. You can now quickly check shutter, aperture, and ISO without having to frequently check the main screen.
  • Enhanced 5.76m-dot OLED electronic viewfinder providing 1.0x magnification for bright and clear eye-level viewing. This upgraded EVF increases contrast during composition in both direct sunlight and low-light scenarios for a sharper view and a clear and immersive experience. Additionally, a new electronic diopter adjustment feature allows for a personally tailored view.
Body Design and Other Camera Features
  • Machined from individual blocks of aluminum alloy, the upper and lower shells of the X2D 100C are precisely crafted and manually assembled by experienced technicians.
  • Powers on in 2 seconds and provides a shorter shutter lag and blackout time for a smooth operational experience.
  • Neat and intuitive Hasselblad User Interface (HUI) provides quick and efficient touch control for swipe, scroll, pinch/spread to zoom, and more.
  • Sensitivity range of ISO 64-25600 is available, and still files are saved in the Hasselblad 3FR raw file format or as JPEGs.
  • Optimized for use with XCD series of lenses, which offer an integrated central shutter system, capable of sync speeds up to 1/4000 seconds.
  • Electronic shutter speeds up to 1/6000 seconds.
  • TTL support for Nikon SB-300, SB-500, SB-5000, SB-700, SB-900, and SB-910 flashes, as well as Profoto A1, B1, and B2 flashes for Nikon.
  • USB 3.1 Gen2 Type-C connector can be used for file transfer, tethered shooting, or for in-camera battery charging via a computer, charger, or power bank.
  • Built-in Wi-Fi permits wireless sharing of files as well as remote camera control operation.
  • iOS device support for iPad models with 3GB of RAM or more and iPhone X or later models running iOS 14.0 or later.
  • Platform support for use with macOS 10.15 or later, or Windows 7 64-bit or later.
(Lens Not Included)

In the Box

  • Hasselblad X2D 100C Medium Format Mirrorless Camera
  • Rechargeable Lithium-Ion Battery
  • Battery Cap
  • USB Type-C Charger
  • USB Type-C to Type-C Cable
  • Shoulder Strap
  • Limited 1-Year Warranty

Not in the Box

$3,050.00
Hasselblad H6X Medium Format Camera Body

A modular platform for both film and digital capture, the Hasselblad H6X is a medium format SLR camera body designed for use with HC/HCD lenses, as well as a variety of dedicated viewfinders and compatible backs. Its H-system back interface permits working with a wide range of digital backs as well as the H 16-32 film magazine to suit a versatile and changing workflow. Beneficial to fast-paced shooting in an accurate manner, the H6X also utilizes a single central autofocus point in conjunction with True Focus and Absolute Position Lock technologies to maintain focusing precision while using a focus-then-recompose method of shooting. Also enhancing usability, eight shooting profiles are available for quickly changing combinations of settings, and seven of the profiles are fully customizable to suit your own personal shooting needs. Additionally, designed with the professional photographer in mind, the H6X sports a durable stainless steel and aluminum alloy body construction, and uses a convenient lithium-ion battery grip to both power the camera as well as provide a comfortable means for handling the camera.

H System
As the core component within the modular H system, this camera body is designed for use with both film and digital backs featuring an H interface; it supports a variety of optional viewfinders; and is compatible with HC and HCD lenses, as well as C-series lenses when used in conjunction with the CF lens adapter.
True Focus and Absolute Position Lock
True Focus is an intelligent and flexible technology to benefit working with the single, central autofocus point configuration of the H6X. Compared to multiple-point AF systems, single point systems lose accuracy when used with a focus-then-re-compose method of shooting. True Focus and Absolute Position Lock help to solve this problem by correcting for slight shifts in focus position when working at close range in order to deliver sharper imagery.
Body Design
  • Stainless steel and aluminum alloy are used in concert to create a camera body that is both highly durable and lightweight, and built to withstand heavy professional use in myriad conditions.
  • Included lithium-ion battery grip serves as both the power source for the camera system as well as an ergonomic right-hand grip for handling.
  • Integrated white LED AF illuminator aids autofocus performance when working in low-light conditions.
  • Dot matrix LCD is located on the top plate of the body and allows you to quickly check, adjust, and confirm shooting settings.
  • Front and rear scroll wheels afford intuitive and direct adjustment over settings.
Profiles
Eight profiles are available for quickly accessing preset combinations of settings, and include Default, Full Auto, Studio, Fill Flash, two Action, and two Spare profiles that can be customized. While two spare profile spaces are reserved for customizing, all of the profiles, except for Default, can be renamed and personalized for greater control.
$2,750.00
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